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FOR PART ONE OF BALLADEER’S BLOG’S EXAMINATION OF THIS OLD, OLD MARVEL COMICS STORYLINE CLICK HERE  The revisions I would make are scattered throughout the synopsis below.

KILLRAVEN GRAPHIC NOVEL (1983) 

Chapter Three: BLOOD AND PASSION

SYNOPSIS: February, 37 years in the future. Killraven and his Freemen continue their guerilla uprising against Earth’s alien conquerors. We left off last time with Killraven, M’Shulla, Old Skull, Carmilla Frost and their new ally Jenette approaching the alien-upgraded Cape Canaveral. Their mission is to inflict enough damage to thwart the High Overlord’s Project Regenesis.

REVISION: My usual revisions would apply – Deathlok, my substitute for Grok, would still be one of the Freemen, as would Didymus, the two-headed, four-armed, androgynous being who was my substitute for Huey and Louie. Plus the pre-invasion astronaut Jenette Miller would instead be McGregor’s Melissa Siren, newly-returned to Earth after a decades-long chryo-sleep mission in space and horrified to find Earth in the clutches of alien dictators who feed on human flesh.

On their way to the Cape Canaveral fortress of the aliens, Don McGregor’s slapdash writing showed again since he had one foot out the door to move on to his new Sabre series over at Eclipse Comics. Carmilla Frost, the scientist of the group, chose that moment to tell M’Shulla she was pregnant with his child.

While the pair engaged in bland Soap Opera dialogue on the subject, Old Skull, Killraven and the enamored Jenette encountered a moustachioed man being attacked by a bland menace: a larger-than normal wolf. Yes, after all the inventive creatures and villains the Freemen had fought in the original series we’re stuck with a lame large wolf, since McGregor was clearly saving his best ideas for Sabre at this point.  Continue reading →

FOR PART ONE OF BALLADEER’S BLOG’S EXAMINATION OF THIS OLD, OLD MARVEL COMICS STORYLINE CLICK HERE  The revisions I would make are scattered throughout the synopsis below.

KILLRAVEN: THE GRAPHIC NOVEL (1983) – Killraven and his Freemen continued their guerilla war against Earth’s alien conquerors. In the 7th of its official line of graphic novels, Marvel Comics let writer Don McGregor and artist Craig Russell wrap up some of the storylines left dangling by the cancellation of the 1973-1976 series of Killraven stories. In the previous post I detailed how McGregor had, in the meantime, transferred many of the Killraven story elements and time period to his independent 1978 graphic novel Sabre.

In the meantime Eclipse Comics had signed McGregor to write a regularly published Sabre comic book series. In late 1982 the original black & white graphic novel was colorized and reprinted in serialized form in the first few issues of the new Sabre series. Unfortunately for Killraven fans that immediately made our red-headed rebel leader into the proverbial red-headed step-child among McGregor’s works.  

Understandably – and fairly obviously – Don McGregor was already saving up his best ideas for his own Sabre title, reducing this last chance for closure on the Killraven saga to a rushed, mundane, unsatisfying mess devoid of much of what had made the original series worthwhile. Even the dialogue, despite a few flashes of the old KR style here and there, was lackluster and pedestrian.    

Killraven and his Freemen seemed like pale imitations being handled by a fill-in writer as Don McGregor virtually Rian Johnson’ed his own characters. I’ll examine that in detail as we move along, but first let’s look at some of the changes necessitated by real-world events in the years between 1976 and 1983.

*** First, through no fault of Don McGregor or the original Killraven artists, Darth Vader became a huge pop culture figure in 1977. KR’s main alien villain, the High Overlord (introduced in 1974), had worn full-body armor and a Japanese feudal helmet like the kind Darth Vader went on to wear in Star Wars. Obviously, Star Wars was so much better known than the canceled Killraven series that this 1983 graphic novel dropped the helmet for the High Overlord to avoid looking like their villain was a rip-off of Vader, despite the fact that the High Overlord predated Star Wars. 

              That alteration to the look of the High Overlord was far from fatal, but became another of the distracting elements undermining this continuation of the KR story. Those other elements: Continue reading →

FOR PART ONE OF BALLADEER’S BLOG’S EXAMINATION OF THIS OLD, OLD MARVEL COMICS STORYLINE CLICK HERE  The revisions I would make are scattered throughout the synopsis below. 

AMAZING ADVENTURES Vol 2 #39 (November 1976)

Title: The Morning After Mourning Prey

NOTE: I’m using the title that writer Don McGregor said would be used in the letters page of the previous issue, rather than the shortened title Mourning Prey that was actually used. The Morning After Mourning Prey has more of a Don McGregorish feel to it so I wish he and artist Craig Russell had stuck to it.

It is now January 2020, but we can just call it “44 years from now” as it would have been to 1976 readers. The setting is the Okefenokee Swamp, an unknown number of days after the previous issue’s New Year’s Eve celebration between Killraven and his Freemen and Brother Axe and his military-uniformed rebel colony.  

Synopsis: Our heroes continue their guerilla uprising against Earth’s alien conquerors. Killraven, M’Shulla, Old Skull, Carmilla Frost (and her father Deathlok in my revisions) are being guided through the swamp toward “an enchanted village” which is obviously intended to be Disney World as surely as the Golden Arch several issues back was intended to be from a futuristic McDonald’s. Continue reading →