Last week’s look at some posters from the silent movie era inspired me to go ahead with this list of what I consider to be the top Douglas Fairbanks films prior to sound. (Talkies are just a fad, I’m tellin’ ya!)
THE MARK OF ZORRO (1920) – Douglas Fairbanks digs into his comedic AND acrobatic skills in this first screen adaptation of Johnston McCully’s masked hero of 1820s California (The Curse of Capistrano had just been published the year before and Fairbanks bought the film rights for United Artists.)
In my opinion no actor has ever done a better job of drawing such a pronounced distinction between the foppish and timid Don Diego de Vega and his dashing alter ego, the swordsman Zorro. This movie showed all subsequent swashbuckler movies how it’s done and proved that its star could do more than just comedy.
Excellent fight choreography, heroic opposition to tyranny and the rousing, marathon chase and fight scene near the film’s finale make The Mark of Zorro an absolute must-see for anyone curious about silent movies. Nearly every frame of the film is a portrait.
Marguerite De La Motte played the love interest Lolita Pulido, Tote Du Crow portrayed Don Diego’s mute manservant Bernardo, Robert McKim was the villainous Captain Ramon and Walt “Not the Poet” Whitman played Fray Felipe to round out the core characters from the many Zorro tales. Continue reading
Regular readers of Balladeer’s Blog may remember that I’m a Silent Movie geek. Last time around I took a look at the magnificent film poster for Douglas Fairbanks’ Thief of Bagdad. This time around it’s posters for one of my favorite underrated Fairbanks flicks, Don Q: Son of Zorro. 
ONCE (1973) – Written and directed by Morton Heilig, Once is a 100 minute experimental film with no dialogue, just pantomime performances by the lone three actors. Chris Mitchum of all people portrays Creation, Jim Malinda plays Destruction and Marta Kristen co-stars as Humanity. Some may describe the movie as a Biblical parable but actually it reflects concepts from Zoroastrianism, Iroquois myths and other belief systems in addition to Christianity and Judaism. 
THE CALL OF CTHULHU (2005) – The H.P. Lovecraft Historical Society produced this terrific – but decidedly niche – horror film based on Lovecraft’s tale The Call of Cthulhu from 1928. 
Regular readers of Balladeer’s Blog may remember that I’m a silent film geek so I fell in love with this movie immediately. The Lovecraft Historical Society players threw themselves into this labor of love, terrifically adapting the broad over-acting, dialogue boards and cinematic grammar of the Silent Age.
THE CRIMSON STAIN MYSTERY (1916) – This was a 16 chapter silent serial that contained multiple horrific elements. The fact that it is so little remembered these days makes it perfect for this list, given Balladeer’s Blog’s overall theme. A mad scientist calling himself the Crimson Stain experiments on human guinea pigs in an attempt to create an intellectually superior race. His experiments all fail, producing hideous, mutated monsters. The Crimson Stain organizes his misbegotten menagerie into a villainous organization and wages a campaign of terror on the world at large. A heroic detective leads the opposition against them and tries to learn the identity of the Crimson Stain. Chapters in this serial boasted wonderfully campy titles like The Brand of Satan, The Devil’s Symphony, Despoiling Brutes and The Human Tiger. 
Regular readers of Balladeer’s Blog are familiar with my fondness for old Silent Movies. America was D.W. Griffith’s 1924 production about the Revolutionary War. The movie is pleasant enough for the July 4th holiday season, but don’t expect a classic like The Phantom of the Opera, The Mark of Zorro or many other masterpieces of the silent era. 
The Holdens can’t stand the snobbish Montagues and the Montagues pompously look down on the Holdens and the rest of the rebels. Nancy’s father would rather see Nancy married off to the prominent British military officer Captain Walter Butler, played with aristocratic and sadistic flair by THE Lionel Barrymore. 
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