MARIE WALCAMP (1894-1936) – Like her fellow silent film icons Douglas Fairbanks and Buster Keaton, Marie Walcamp did most of her own stunts. This earned her the nickname “the daredevil of the movies” as she dazzled audiences in serials, westerns and other action films.
Walcamp also appeared in other types of productions, of course. Among her earliest roles she played the younger version of the female lycanthrope in the 1913 horror film The Werewolf, reviewed previously here at Balladeer’s Blog.
Marie’s final appearance came in a supporting role in the movie In a Moment of Temptation (1927). The talented figure became prone to depression over the years and when her husband was out of town one day in 1936, she committed suicide by turning on the gas in their residence. Her ashes were scattered on the Universal Studios back lot per her request.
Below are some of Marie Walcamp’s milestone films and serials.
TEMPEST CODY – Marie was already getting above the title billing by the time her two-reel Tempest Cody western shorts came along in 1919. Tempest was a hard-riding, two-fisted, straight-shooting woman of the old west who was always on the side of right.
TEMPEST CODY HITS THE TRAIL (September 1st, 1919) – One of the many, many silent films which has not survived, this kicked off Universal’s Spur and Saddle package of westerns.
TEMPEST CODY FLIRTS WITH DEATH (September 8th, 1919) Continue reading
FIRE DRILL aka Simulacro de Incendio (1897) – On January 24th of this year, Gabriel Veyre (at left) held the very first exhibition of silent film shorts in Cuban history at a theater in Havana. 
FILM COMMERCIAL FOR LA TROPICAL BEER aka the Missing Sorcerer (1898) – This was the very first film directed by a native Cuban – Jose Esteban Casasús, a noted pioneer of Cuban Cinema. Lasting just under a minute, this short advertised the brewery & product of La Tropical beer and was produced by Cinemataca de Cuba.
CONSTITUTIONAL ASSEMBLY (1901) – A film capturing the 1901 assembly, the equivalent of our Constitutional Convention. Following the defeat of Spain in the Spanish-American War, Cuba produced its first constitution a few years later. That document was openly based on the United States Constitution but had 115 articles instead of America’s 7. 
THE MYSTERY OF DR. FU MANCHU (1923) – One of the earliest, if not THE earliest, big screen adaptations of Sax Rohmer’s Fu Manchu novels, which launched in 1913. The tales depicted the brilliant Chinese figure Dr. Fu Manchu at most plotting global domination but most often uniting many Far Eastern races against White Colonial nations to drive them out of Asia. 
MOTOR PIRATES (1906) American release title The Modern Pirates – This British action short was directed by England’s monumentally underrated silent film director Arthur Melbourne Cooper. Motor Pirates clocks in at under 9 minutes but crams quite a bit into that runtime. 
The Motor Pirates drive their vehicle on to a country estate where they employ its front-end “suction feature” to vacuum up several chickens. Four men of the estate come out with guns blazing to stop the crooks, but they shoot down their victims, leaving three dead and one barely clinging to life as they drive off. 
BESS THE DETECTRESS – Bess Meredyth was a silent film starlet, writer and director. This particular blog post will focus on her Bess the Detectress character at Universal Studios but in the future Balladeer’s Blog will cover other aspects of her life and career. 
BESS THE DETECTRESS IN THE OLD MILL AT MIDNIGHT (Jun 1914) – The first short in the Bess the Detectress series. When the stage show she was performing in closes as a flop, Bess is left scrambling for her next meal. She spots a Wanted poster offering a reward of $200.00 (equal to $6,300 in 2025) for the capture of the male outlaw Honey Hall. 
ASTREA – One of the most enigmatic figures from the Silent Film Era. No precise birth or death dates are known. Her surname was supposedly Barbieri but not even that is certain. 
JUSTITIA (1919) – Astrea’s most well-known movie. She plays a prim, ladylike noblewoman who becomes a fiery, two-fisted champion of justice when need be. 
MABEL NORMAND – Born Amabel Ethelreid Normand on November 9th, 1893 in New York, this silent film comedienne blazed trails for countless subsequent actresses as well as female directors and screenwriters. Like so many silent film stars Normand is largely neglected today except for my fellow silent movie geeks and I. 
INDISCRETION OF BETTY (1910) – Mabel had her first starring role in this short drama but had appeared in an unknown number of previous films in smaller roles. Mabel played Betty, the wife in the marriage of a social-climbing couple. 
HER AWAKENING (1911) – The above-mentioned short in which Mabel caught the eye of Mack Sennett, who then signed her for comedy collaborations. In this short drama, Normand played a young lady trying to snare a successful husband. 
THROUGH HIS WIFE’S PICTURE (1911) – Mabel Normand’s first film short with Mack Sennett. He directed and had a supporting role in this 9-minute comedy about a misunderstanding that threatens a marriage. 
20,000 LEAGUES UNDER THE SEA (1916) – The famous first cinematic adaptation of the Jules Verne classic. Having loved the version of this pioneering 1916 film that was available during the 1990s and earlier I had put off watching the restored and upgraded version released in 2010. 
Personally, I would have preferred that Universal had just produced a shorter 20,000 Leagues film that was all Leagues and nothing but Leagues, then release The Mysterious Island later as a sequel. In 1916 audience expectations were not yet such that movies had to run the 86 to 105 minutes boasted by surviving copies of 20,000 Leagues. 
SANTA CLAUS (1925) – This 28 minute and 44 second movie was directed by Frank Kleinschmidt, the famous explorer and documentary filmmaker. Santa Claus has an irresistible charm and with its short running time might be the ideal way of introducing silent films to modern day viewers who are unfamiliar with them. 
Santa Claus opens with Saint Nick himself welcoming us with arms spread wide. The story proper gets underway as we join two children – a brother and sister – who sneak out of their beds overnight to wait for Santa in their living room. 
SCROOGE, OR MARLEY’S GHOST (1901) – This big-screen Christmas Carol adaptation was the first-ever cinematic depiction of the Charles Dickens classic. The criminally neglected British silent film pioneer R.W. Paul produced the movie and fellow trailblazer Walter R. Booth directed. 
Back to this 1901 production. Scrooge was originally just over 6 minutes long but like so many movies from the silent era it suffered damage in the decades ahead. About 5 minutes have survived and the film bears a few similarities to the 13-minute Edison Films Christmas Carol from 1910.
Balladeer's Blog 