TOOMORROW (1970) – What is one part Monkees episode, one part Frankie & Annette Beach Movie, one part Help!, one part Donny & Marie in Goin’ Coconuts, one part KISS Meets The Phantom of the Park and one part Beyond the Valley of the Dolls? The answer is Toomorrow, the infamous Don Kirshner/ Val Guest cult movie with a then-unknown Olivia Newton-John in a starring role.
The aim was to launch a new pre-fab pop band like the Monkees, but this time consisting of an Aussie (Newton-John of course), a Brit (Vic Cooper), an African-American (Karl Chambers) and a white American (Benny Thomas).
Olivia sings and also dances around the guys while they play, Benny plays the guitar, Karl is the drummer and Vic plays the keyboard AND his special invention called a Tonalizer. The band is called Toomorrow because, as Karl observes, they are “Too much! Too-Morrow!”
We’re told that Vic’s Tonalizer is what gives Toomorrow its special “sound.” How special is that sound? So special that its unique vibrations can revive the stagnant culture of an alien race that’s facing decay and collapse. It seems the aliens’ own musical output has grown stale because they have long since progressed beyond the troublesome “emotions” and “heart” that Toomorrow’s members pour into their songs.
Buy this movie for the Sandbaggers or Dalgleish fan in your life, because Roy “Neil Burnside” Marsden co-stars as Alpha, the captain of the aliens’ spaceship. His forever-terse voice is unmistakable despite the – admittedly competent – makeup and prosthetic effects for the ET’s (above right). Continue reading