Balladeer’s Blog resumes its examination of the macabre 1868 French language work The Songs of Maldoror. We are now at the 4th Canto, 1st Stanza.
PRELUDE TO A PRIVATE ARMAGEDDON
The supernatural being Maldoror has arrived at Dendera in Egypt. He is perforce surrounded by human beings and, given his loathing of humanity, he compares being among so many people to other unwholesome sensations. Among those: accidentally stepping on a frog and feeling it being crushed and smeared into the ground underfoot. Our narrator tells us he shivers with disgust at any contact with humans the way a dead shark’s heart continues to beat long after it is dead.
As usual Maldoror contradicts some of the information he has previously given readers about himself and claims that he stood in Dendera back when it was at its height in the 1st Century B.C. He disgustedly notes how swarms of wasps have inhabited so many of the corners and entrances of the ancient works of architecture. Their buzzing reminds him of the sound of his own sorrow when he ponders the perverse conduct of his archrival God. Continue reading