Here’s Part Three of Spider-Man 1970s Classics. For Part One click HERE.
SPIDER-MAN Vol 1 #123 (August 1973)
Title: Just A Man Called Cage
Villain: Luke Cage, Hero for Hire
NOTE: Luke Cage was still going by Hero for Hire at this time, not Power Man.
Synopsis: This issue opens up with the police plus J Jonah Jameson and his City Editor Joseph “Robbie” Robertson at the crime scene where Norman Osborn has been found murdered. Jameson is, of course, insisting that Osborn, an old friend and major advertiser at the Daily Bugle, must have been killed by Spider-Man. The webslinger had been searching for Osborn through Robertson’s contacts at the Bugle earlier in the evening.
Robbie and the police at the scene tell Jameson they aren’t so sure Spider-Man was the killer. There are fragments of the Green Goblin’s exploding pumpkin-bombs in the battle scarred area there on the New York City streets. PLUS, someone obviously moved Osborn’s body a bit before the cops arrived on the scene. At length Jonah refuses to listen any further and rides off angrily in his limo.
From a nearby rooftop the mysterious man in the shadows from the end of last issue reflects that HE is the one who moved Osborn’s dead body when he was removing his Green Goblin costume and bat-shaped flier. He knew that if the world learned that Norman Osborn was really the supervillain the Green Goblin they wouldn’t care about his death.
The mystery man further reflects that millionaire industrialist Norman Osborn, with his secret identity preserved, is still looked on as a pillar of the community and therefore he will be widely mourned and the police will be pressured to bring in Spider-Man for questioning.
NOTE: It’s no spoiler this many decades later to mention that this shadowy figure turns out to be Harry Osborn, Norman’s son, who witnessed the final battle between Spider-Man and the Green Goblin and will become the new Goblin months down the road.
Meanwhile J Jonah Jameson decides to hire the new superhero Luke Cage to do what the police can’t do and capture or kill Spider-Man. Continue reading
SPIDER-MAN Vol 1 #119 (April 1973)
SPIDER-MAN Vol 1 #113 (October 1972)
With the movie Shang-Chi and the Legend of the Ten Rings trickling out, assorted readers have been asking me if I’ll do a blog post about the character. I did one back in June, but the release of the movie wound up getting delayed. Below is the link to that blog post in which I examined the first twelve Shang-Chi stories in the 1970s.
WHAT IF? Vol 1 #1 (February 1977)
MARVEL PREVIEW Vol 1 #4 (January 1976)
In the past handful of days Balladeer’s Blog’s 2017 blog posts examining the Marvel Comics villain Kang the Conqueror and some of his other selves like Immortus and Rama Tut have been getting incredible amounts of hits. I looked into it and it turns out that when the latest Marvel streaming miniseries, Loki, ended, the cliffhanger involved Kang and Immortus at Immortus’ castle in Limbo, the realm outside the time stream.
I thought that people were just going to my 2017 blog posts because they had no idea who Kang and Immortus are. Instead, I started getting comments from readers expressing thanks for the clarity of the “Timey-Wimey” nature of Kang’s labyrinthine saga. They said that the people writing the Loki miniseries plopped everything into the far later stages of the Kang/ Immortus stories, bypassing the earlier tales that would help people understand it.
ONE: BID TOMORROW GOODBYE – Kang wants the Celestial Madonna (Mantis, who started out as an Avenger in the 1970s) and reveals she has been the reason he frequently targeted the 20th Century. Agatha Harkness guest-stars, from the years when she was the Scarlet Witch’s mentor. CLICK
First, a little background information. In the early 1970s Marvel was experimenting with hybrid titles that would combine the old and the new by
SPECIAL MARVEL EDITION #15 (December 1973)
PHANTOM BULLET
THE THIN MAN 
ALL WINNERS COMICS #1 (June 1941)