Tag Archives: Killraven

KILLRAVEN FOUR: THE MUTANT SLAYERS

FOR PART ONE OF BALLADEER’S BLOG’S EXAMINATION OF THIS OLD, OLD MARVEL STORYLINE CLICK HERE  The revisions I would make are scattered throughout the synopsis below.

Killraven four mutant slayersAMAZING ADVENTURES Vol 2 # 21 (November 1973)

Title: THE MUTANT SLAYERS (Revised Title: DEATHLOK, THE DEMOLISHER)

Synopsis: Another issue means ANOTHER change in creative team for this promising but star-crossed series. This fourth change in four issues gives us Don McGregor as the writer and Herb Trimpe as the artist.

McGregor will stay and will handily develop the flowery prose that also characterized his run on the 13-part Black Panther story Panther’s Rage, previously reviewed here at Balladeer’s Blog. Unfortunately, Don’s writing in this issue is as hopelessly lame and “comic bookish” as Herb Trimpe’s artwork.

We are told that the Martians had their human quislings – in this case led by a human cyborg called the Warlord – transport Killraven and his Freemen, who were ambushed and captured last issue amid the ruins of LaGuardia Airport, to this new underground base. The base’s location is undisclosed for now.

REVISION: Given Riker’s Island’s proximity to LaGuardia Airport I would have made THAT the location that the captive Freemen were transported to. And given the island’s use as a prison before the alien conquest of Earth it would be ideal for my revised storyline.

I would make the Warlord be specifically Warlord RYKER as in Simon Ryker (no relation to the island’s namesake). Simon Ryker was, of course, the main villain in Deathlok (sic) the Demolisher, another of Marvel’s promising but short-lived sci-fi comic books of the 1970s.

DeathlokI’m combining Deathlok’s story with Killraven’s in a sort of Ultimate Killraven way, since Marvel in recent years had KR, Deathlok and other figures from their canceled post-apocalypse titles get thrown together as a team due to time anomalies, etc ANYWAY.

Warlord Ryker would still hate Killraven for causing the loss and cybernetic replacement of his (Ryker’s) arm and eye during his escape from the gladiatorial pens a few years earlier.

Back to the real story, the Warlord and his fellow quisling Carmilla Frost (in her first-ever appearance) are watching several waves of guards struggling to shepherd Killraven along to join his Freemen in their new prison cells. Expository dialogue makes it clear that Keeper Frost is a molecular biologist and, like all the other Keepers, she is a scientist who sold out her fellow Earth people in exchange for privileges. Mostly, access to the Martians’ advanced science to continue their work.

The Warlord rants a great deal about how he warned the Martians to execute Killraven years ago, but he was such a good fighter in their gladiatorial games that they kept him alive for sport. Eventually the Warlord knocks out KR from behind.

REVISION: As always, I’d have jettisoned the tenuous War of the Worlds connection by getting rid of the ridiculous Martians and just made it regular aliens – say from the Zeta Reticuli area of space – who had conquered Earth.

Carmilla FrostInstead of watching Killraven struggle against guards I would have Warlord Ryker and Carmilla Frost watching and taking notes as other Keepers subject the rebel leader to various tests – many of them painful, of course – to determine the nature and origin of his paranormal abilities called simply The Power in the first two issues. (This was 4 years BEFORE Star Wars, so The Power is NOT a ripoff of The Force.)     Continue reading

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KILLRAVEN THREE: THE WARLORD STRIKES

FOR PART ONE OF BALLADEER’S BLOG’S EXAMINATION OF THIS OLD, OLD MARVEL STORYLINE CLICK HERE  The revisions I would make are scattered throughout the synopsis below.

Killraven WarlordAMAZING ADVENTURES Vol 2 #20 (September 1973)

Title: THE WARLORD STRIKES

Synopsis: We pick up an unspecified number of days after the end of the previous story. We also have yet ANOTHER change in creative team. This issue we have Marv Wolfman writing and Herb Trimpe doing the artwork.

Even more of the sophisticated promise of the first two installments is stripped away as Wolfman & Trimpe serve up a story so bland it would fit right into any given issue of DC Comics’ Kamandi, The Last Boy on Earth. The only positive development is that it is at last established that Killraven and M’Shulla, the black member of the rebel band, are the closest of friends. 

Killraven and M’Shulla are being pursued by several human quislings who are trying to bring in K.R. alive for their Martian masters. They fail to say why, but we readers can guess that it’s because the Martians want to know how much Killraven was told by the dying Keeper Whitman back in part one. Or because they want to study K.R. in order to understand the mysterious “Power” that grants him certain abilities.

Killraven cornerOf course, since this issue doesn’t mention EITHER Keeper Whitman OR “The Power” (a pre-Star Wars variation of The Force) it’s also possible Marv Wolfman was planning to write out those aspects. The way this issue is written it COULD be that the quislings have orders to take Killraven alive just so he can be taken before the Warlord, whom we learn has a vendetta against our main character.

REVISION: To maintain continuity I would have made it so that it was definitively stated that K.R. was wanted alive precisely to be studied because of his paranormal powers and to learn how much the late Keeper Whitman told him about the true nature of Earth’s conquerors: namely that they are aliens and not the demons that conquered, superstitious humanity considers them to be.

And, as always, I’d have eliminated the tenuous War of the Worlds connection and made Earth’s conquerors regular aliens and not ridiculous “Martians.” 

As the running fight goes on and on, no mention is made of the forced abandonment of the Freemens’ previous hideout on Staten Island, now known to the Martians.     Continue reading

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KILLRAVEN TWO: THE SIRENS OF SEVENTH AVENUE

FOR PART ONE OF BALLADEER’S BLOG’S EXAMINATION OF THIS OLD, OLD MARVEL STORYLINE CLICK HERE  The revisions I would make are scattered throughout the synopsis below.

Killraven Sirens of 7th AveAMAZING ADVENTURES Vol 2 #19 (July 1973)

Title: THE SIRENS OF SEVENTH AVENUE

Synopsis: Killraven, wielder of a mysterious force called The Power, continues to lead his Freemen/ Rebel Alliance against Earth’s conquerors, led by the armored badass Abraxas, the High Overlord. (1973 means this was BEFORE Star Wars, so don’t leave comments claiming this ripped off that film series)

We pick up where we left off – Killraven, still reeling from some of the shocking information that the late Keeper Whitman just relayed to him about Earth’s alien conquerors, has just realized that his escape rout from Whitman’s underground lab has been blocked by three beautiful Sirens.

Those Sirens are Earth women scientifically modified to be irresistible to men through their physical perfection and presumably through pheromone enhancements. We learned last time around that these Sirens have been very successful at flushing out for capture many of the rebel bands scattered throughout post-apocalypse New York and New Jersey. Now they plan to bring in Killraven, leader of the most successful group of Freemen. Continue reading

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KILLRAVEN ONE: WAR OF THE WORLDS

masc graveyard newIn the realm of pop culture it continues to be Marvel Comics’ world! Over the past few years Balladeer’s Blog has been reviewing some old, old, OLD Marvel stories from decades ago. From the research I’ve done, I feel the late 1960s through mid-1970s were Marvel’s creative height, with only the Uncanny X-Men title retaining consistent art and story-telling quality beyond that time period.

I’ve covered The Celestial Madonna Saga (1973-1975), which also contained The Avengers/ Defenders War and the original Thanos War within its own storyline. I’ve examined the 13-part Black Panther story titled Panther’s Rage (1973-1975), the original Kree-Skrull War (1970-1971) and, most recently, the 7-part Adam Warlock tale The Magus (1975-1976). 

Readers requested more Marvel, so, since these are fun and light time-passers, here comes Killraven, the Warrior of the Worlds.  

KillravenWAR OF THE WORLDS/ WARRIOR OF THE WORLDS/ KILLRAVEN: In the early 1970s Marvel was experimenting with hybrid titles combining the old and the new by fusing licensed properties with unique Marvel twists.

The most famous and longest-lasting example was Shang Chi, Master of Kung Fu. In 1974 Marvel licensed the use of Sax Rohmer’s Fu Manchu plus other characters from the Fu Manchu tales. Rather than just churn out a Fu Manchu comic book series “the House of Ideas” instead combined it with the Kung Fu craze of the time and created Shang Chi, the son of Fu Manchu.

Shang Chi, as a surrogate Bruce Lee, and Sir Denis Nayland-Smith, as a surrogate Braithwaite from Enter: The Dragon, were the core of the new series. Shang Chi started out as an operative of his evil father Fu Manchu, but realized the error of his ways and threw in with Sir Denis and his team to battle his father’s malevolent schemes.

The previous year – 1973 (so BEFORE Star Wars) Marvel had worked similar “synergy” by taking their license to do a comic book series based on H.G. Wells’ War of the Worlds and combining it with sci-fi post-apocalypse action. The main character was Jonathan Raven, aka Killraven, a charismatic rebel leading an uprising against Earth’s 21st Century Martian conquerors.

Killraven sword and gunKillraven’s use of a sword AND futuristic firearms in action set against a post-apocalyptic backdrop also brought a little John Carter of Mars appeal into the series. By 1976 the promising saga was canceled due to poor sales but gained a cult following in the decades since then.

Killraven’s influence could be seen in the original 1980s mini-series V, especially the element of humans being used as food by our alien overlords and the sentimental “heroic freedom fighters versus evil tyrants” appeal. Killraven writer Don McGregor incorporated similarly themed stories and characters into Sabre, his other post-apocalypse comic book series. 

Even Star Wars reflected some aspects of Killraven’s tales: the Rebel Alliance against the bad guys, the armored badass (The High Overlord in Killraven’s case) and, of course, the way Killraven wielded enigmatic, more than human abilities called simply “the Power” in K.R.’s series. (PLEASE NOTE: Killraven’s use of The Power came years before Star Wars and The Force.) The young sword-wielding hero was slowly mastering the Power as the series went along, but cancellation cut short his development of his paranormal gifts.

Killraven stampAnd yes, I know that both Killraven and Star Wars drew on the same vast inheritance of sci-fi tropes but the close proximity of K.R. (1973-1976) to Luke Skywalker (1977 onward) makes the comparisons inevitable. 

About fifteen years back, Tom Cruise was set to star as Killraven but eventually all K.R. elements were dropped from the project and Cruise starred in simply another remake of War of the Worlds instead. You have to wonder if the Marvel name would have motivated the filmmakers to keep the Killraven angle if the movie had been done AFTER Marvel became the dominant source for cinematic blockbusters that it is now.

At any rate, let’s dive into the very first appearance of Killraven in 1973: Continue reading

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