Balladeer’s Blog concludes its examination of another neglected pulp hero – in this case Northwest Smith. Created by the female author C.L. Moore in the 1930s Northwest Smith was a ruthless outer-space smuggler and mercenary decades before Han Solo. With his Venusian partner Yarol at his side and armed with a trusty blaster Smith roamed our solar system in his deceptively fast spaceship The Maid. For more on Northwest Smith and other neglected pulp heroes click here: https://glitternight.com/pulp-heroes/
13. SONG IN A MINOR KEY – For this farewell vignette featuring Northwest Smith we get an oddly touching piece that enhances Smith’s character without ruining the mystery. He and Yarol are back on Earth to visit the spot where Northwest committed his first crime exactly 20 years earlier, setting his life on its present course.
He reveals that Northwest Smith is not his real name (Well, duh! I always figured his real name was Northwest Rabinowitz.) and is uncharacteristically serious- minded as he soaks in the atmosphere of the woodland area where his fate was determined so long ago.
Our melancholy outlaw ruefully ponders his life that might have been and the woman he might have shared that life with. He contemplates the home they might have had together and more as we get tantalizing glimpses into Smith’s past here in this place … where he killed his first man. Continue reading



Balladeer’s Blog continues its examination of another neglected pulp hero – in this case Northwest Smith. Created by the female author C.L. Moore in the 1930s Northwest Smith was a ruthless outer-space smuggler and mercenary decades before Han Solo. With his Venusian partner Yarol at his side and armed with a trusty blaster Smith roamed the solar system in his deceptively fast spaceship The Maid. In the course of their criminal pursuits the two often found themselves in the role of reluctant heroes, sometimes with the fate of entire planets at stake. For more on Northwest Smith and other neglected pulp heroes click here:
Balladeer’s Blog is all about responding to reader questions and requests. Some of you have mentioned that you’d like to see me write about what revisions I’d have made to the Star Wars sequels in the same way I write about revisions I’d have made to old Killraven stories or how I’d have handled the unfinished Harry Flashman novels.
The original 1977 Star Wars is about as close to perfection as you can get in terms of a movie succeeding at what it was intended to be: in this case a fun, uncomplicated valentine to the days of simpler storytelling as a nice antidote to the glut of self-consciously “deep” movies by that point in the 70s.


