Halloween month continues here at Balladeer’s Blog! And elsewhere, too, I guess.
Tales of Hoffmann
TALES OF HOFFMANN (1881) – Yes, as if I wasn’t boring enough already, I’m also into opera! Now, I know traditionally “the” Halloween Opera has always been Don Giovanni, but I’ve never bought into that notion since there’s really only one scene in the whole opera that qualifies as spooky and supernatural.
At this time of year I prefer Offenbach’s Tales of Hoffmann. Not only is it full of appropriately eerie and menacing elements, but it’s also the perfect opera for you to share with someone who’s seeing their very first opera.
One of the reasons for that is that it’s in short segments, surrounded by a wraparound opening and finale. Offenbach adapts short stories written by E.T.A. Hoffmann, who in real life was a pre-Edgar Alan Poe author of eerie short stories in his native Austria during the 1800s. At any rate since this opera’s in short segments novices to the artform won’t have time to get bored.
Another reason is that, though the climax of these tales no doubt seemed shocking to the people of Hoffmann’s (or for that matter, Offenbach’s) time period, modern audiences are so used to anthology series’ like The Twilight Zone and Tales from the Crypt, etc. that today’s viewers will spot the “twist” endings coming from a mile away. This combats another common complaint of opera novices: that they have trouble following the story. Continue reading
POSSESSION (1981) – Halloween Month continues here at Balladeer’s Blog with a review of the thoroughly bizarre cult film Possession, from Polish director Andrzej Zulawksi. Because I review everything from mild horror films to extreme works, I’m offering my usual COURTESY WARNING for readers who prefer less transgressive movies. 
I’m far from alone in praising Possession to the Heavens, so my take on it may seem like a mere rehashing for those who are already passionate fans. However, in my opinion only the full 2 hour and 4-minute version is worth watching, not the trimmed-down versions. 
Halloween Month rolls along with this look at a very old British series of telefilms that presented some classic horror tales during Christmas Season. The tales themselves were NOT set around Christmas, so they make for nice Halloween Season viewing, too. 
THE STALLS OF BARCHESTER (Dec 24th, 1971) – Dr. Black (Clive Swift), a scholar cataloguing the book collection at Barchester Cathedral, comes across the diary of a former Archdeacon who murdered his predecessor so he could rise to the position. The killer was then haunted by ghostly figures in the form of the carvings on the cathedral’s choir stalls. Also starring Robert Hardy, Thelma Barlow and Will Leighton. 
MAN-SIZE IN MARBLE (1887) – One of the iconic Edith Nesbit’s short horror stories. This was first published in the December of 1887 issue of the magazine Home Chimes. Nesbit later included it in her collection of short stories titled Grim Tales (1893). For modern readers – and possibly Victorian Age readers, too – it’s always clear where the story is headed but it’s still worth checking out. 
CEMETERY OF TERROR (1985) – HALLOWEEN MONTH CONTINUES! Released in Mexico as Cementerio del terror, this overlooked movie makes for some nice Halloween season viewing and is even set on October 31st. Cemetery of Terror is not as campy as Mexican Wrestling Horror flicks or notorious works like 
October 1st kicks off Balladeer’s Blog’s usual mixing of horror items in with my usual topics. I review horror films from the silent movie era onward as well as obscure stories from the 1800s and earlier, like they’re Halloween counterparts to my Ancient Science Fiction reviews. 
THE MONSTER-MAKER (1897) – Set in San Francisco, this W.C. Morrow tale was praised by the one and only Ambrose Bierce. A truly unique monster gets cobbled together by a mad scientist but instead of a castle in Europe the action takes place in Frisco. Experimenting on a suicidal young man, our insane Dr. X turns the lad’s body into a globe-headed, lobster-limbed abomination. The scientist’s courageous wife and a police detective work to bring down the madman. 
PAGANINI HORROR (1989) – Directed by Luigi Cozzi, better known to us fans of psychotronic movies as the Italian Ed Wood. Three women and one man constitute a heavy metal band desperate for a hit song. They strike a Faustian bargain with the mysterious Mr. Pickett, played by Donald Pleasence. 
Playing the piece while filming at the mansion causes Paganini to rise from the dead and lets loose other forces of Hell. Those characters not butchered by the masked, undead maestro via a knife that pops out of his violin are slaughtered by the supernatural forces now at large in the house. 
APOCALYPSE CULTURE (1987) – Call me a purist, but the only Apocalypse Culture book I like is the very first one from 1987, not the later editions nor the sequel from the year 2000. By 2000 the book was pointless and unnecessary since the internet was already replacing such publications as Apocalypse Culture, Answer Me! and much of the Loompanics catalogue. 
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