THE SCARECROW (1972) – Gene Wilder, Blythe Danner, Nina Foch, Pete Duel and Will Geer starred in this Hollywood Television Theatre production that first aired January 10th, 1972. Long time readers of Balladeer’s Blog may recall my remarks on previous Halloweens about how underused I feel scarecrows still are in Halloween movies.
The Scarecrow, from the 1908 play by Percy MacKaye, was based on Feathertop aka Lord Feathertop, the 1852 short story by Nathaniel Hawthorne. The tale deals with a witch who brings a scarecrow to life to do her bidding. In the past I’ve reviewed silent film versions of Feathertop and pointed to it as an overlooked scarecrow tale.
Percy MacKaye stretched the story out and altered some of the themes, so The Scarecrow is an adaptation of Feathertop, not a faithful dramatization of it. Gene Wilder portrays the scarecrow.
Nina Foch plays the witch Goody Rickby (Mother Rigby in the short story). She despises Will Geer’s character, the supposedly “respectable” Justice Gilead Merton (Hawthorne’s Judge Gookin).
Twenty years earlier, Goody Rickby had a fling with Justice Merton and even bore his son, who died as an infant. (In Feathertop the affair and child outside of marriage are hinted at rather than stated outright.) Continue reading
EERIE TALES (1919) – Conrad “Major Strasser from Casablanca” Veidt is, in my opinion, the most neglected figure from silent horror films. In this German work Veidt co-stars with Reinhold Schunzel and Anita Berber. The three portray various characters throughout the film. 
THE WERE-WOLF (1896) – By Clemence Annie Housman. Halloween month continues at Balladeer’s Blog! This neglected story features a female author writing about a FEMALE WEREWOLF so that makes it a bit special right there.
This weekend’s light-hearted, escapist superhero post from Balladeer’s Blog looks at Cassie Hack, the horror superheroine who battles a long line of slashers as stylishly as Buffy fought vampires. 
HACK/ SLASH Vol 1 #1 (Apr 2004) 
Readers are now dropped into the main story, set years later when Cassie Hack has established herself as a roving heroine who battles living and undead slashers alongside her African American sidekick – the hulking, gasmask-wearing Vlad. He views Cassie like a daughter and wields meat cleavers and butcher’s knives in battle. 
POSSESSION (1981) – Halloween Month continues here at Balladeer’s Blog with a review of the thoroughly bizarre cult film Possession, from Polish director Andrzej Zulawksi. Because I review everything from mild horror films to extreme works, I’m offering my usual COURTESY WARNING for readers who prefer less transgressive movies. 
I’m far from alone in praising Possession to the Heavens, so my take on it may seem like a mere rehashing for those who are already passionate fans. However, in my opinion only the full 2 hour and 4-minute version is worth watching, not the trimmed-down versions. 
Halloween Month rolls along with this look at a very old British series of telefilms that presented some classic horror tales during Christmas Season. The tales themselves were NOT set around Christmas, so they make for nice Halloween Season viewing, too. 
THE STALLS OF BARCHESTER (Dec 24th, 1971) – Dr. Black (Clive Swift), a scholar cataloguing the book collection at Barchester Cathedral, comes across the diary of a former Archdeacon who murdered his predecessor so he could rise to the position. The killer was then haunted by ghostly figures in the form of the carvings on the cathedral’s choir stalls. Also starring Robert Hardy, Thelma Barlow and Will Leighton. 
MAN-SIZE IN MARBLE (1887) – One of the iconic Edith Nesbit’s short horror stories. This was first published in the December of 1887 issue of the magazine Home Chimes. Nesbit later included it in her collection of short stories titled Grim Tales (1893). For modern readers – and possibly Victorian Age readers, too – it’s always clear where the story is headed but it’s still worth checking out. 
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