Tag Archives: Halloween season

GANJA & HESS (1973) UNUSUAL VAMPIRE FILM

GANJA & HESS (1973) – Duane Jones, immortalized as “the black guy who got screwed over at the end of Night of the Living Dead“, also starred in this offbeat, artsy vampire film which was also released as Blood Couple and many other titles.

Back in 2011, when I reviewed Nine Blaxploitation Horror Movies from the 1970s I mentioned leaving out Ganja & Hess because it was a serious film, not a quickie exploitation flick like Blacula, Blackenstein, Dr. Black and Mr. Hyde and many others. I said I’d review it in the future. Well, 14 years later, here we go!

Duane Jones portrayed Dr. Hess Green, an anthropologist who has discovered the ancient ruins of Myrthia, an African settlement populated by vampires. Green’s assistant George Meda, played by Bill Gunn (this film’s writer and director), becomes possessed by the evil spirit of Myrthia’s ancient queen (Mabel King of What’s Happening!!). Continue reading

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THE SCARECROW (1972) FORGOTTEN TELEVISION HALLOWEEN TALE

THE SCARECROW (1972) – Gene Wilder, Blythe Danner, Nina Foch, Pete Duel and Will Geer starred in this Hollywood Television Theatre production that first aired January 10th, 1972. Long time readers of Balladeer’s Blog may recall my remarks on previous Halloweens about how underused I feel scarecrows still are in Halloween movies. 

The Scarecrow, from the 1908 play by Percy MacKaye, was based on Feathertop aka Lord Feathertop, the 1852 short story by Nathaniel Hawthorne. The tale deals with a witch who brings a scarecrow to life to do her bidding. In the past I’ve reviewed silent film versions of Feathertop and pointed to it as an overlooked scarecrow tale.   

Percy MacKaye stretched the story out and altered some of the themes, so The Scarecrow is an adaptation of Feathertop, not a faithful dramatization of it. Gene Wilder portrays the scarecrow.

Nina Foch plays the witch Goody Rickby (Mother Rigby in the short story). She despises Will Geer’s character, the supposedly “respectable” Justice Gilead Merton (Hawthorne’s Judge Gookin).

Twenty years earlier, Goody Rickby had a fling with Justice Merton and even bore his son, who died as an infant. (In Feathertop the affair and child outside of marriage are hinted at rather than stated outright.) Continue reading

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EERIE TALES (1919) SILENT HORROR FILM

HALLOWEEN MONTH CONTINUES. 

EERIE TALES (1919) – Conrad “Major Strasser from Casablanca” Veidt is, in my opinion, the most neglected figure from silent horror films. In this German work Veidt co-stars with Reinhold Schunzel and Anita Berber. The three portray various characters throughout the film.

In recurring bits, the trio play Death (Veidt), the Devil (Schunzel) and the Strumpet (Berber), figures who step out of the paintings in an antique book shop and provide the wraparound segment to the anthology of horror tales that follows. Continue reading

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THE WEREWOLF (1896) HALLOWEEN STORY OF A FEMALE LYCANTHROPE

WerewolfTHE WERE-WOLF (1896) – By Clemence Annie Housman. Halloween month continues at Balladeer’s Blog! This neglected story features a female author writing about a FEMALE WEREWOLF so that makes it a bit special right there.

The Were-Wolf is set in 1890s Denmark. Amidst a white-furred werewolf’s attacks plaguing the countryside a Danish family finds itself being charmed by a sultry, seductive woman who calls herself White Fell.

The woman travels alone by night so is obviously the werewolf at large. Unfortunately, her potent beauty allays suspicion and even pits brothers Sweyn and Christian against each other.   Continue reading

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HACK/SLASH: THE EARLY STORIES OF THIS HALLOWEEN HEROINE

This weekend’s light-hearted, escapist superhero post from Balladeer’s Blog looks at Cassie Hack, the horror superheroine who battles a long line of slashers as stylishly as Buffy fought vampires.

In Hack/ Slash stories, slashers are their own breed of monsters just like werewolves, vampires, etc. Tim Seeley created the series, which has been published by various indie outfits over the years.  

HACK/ SLASH Vol 1 #1 (Apr 2004)

Title: Euthanized

Villain: Bobby Brunswick

Synopsis: This very first appearance of Cassie Hack starts off with a few-page synopsis of her origin story. In school, Cassie was often bullied by the other students. This caused her mother to snap and become a slasher called the Lunch Lady, who took to carving up the teens who had bullied Cassie and mixing their remains in with food at the school cafeteria. Our heroine was forced to take action, saving her mother’s last victim. The Lunch Lady killed herself but rose again as a slasher. This time Cassie had to destroy her personally.

Readers are now dropped into the main story, set years later when Cassie Hack has established herself as a roving heroine who battles living and undead slashers alongside her African American sidekick – the hulking, gasmask-wearing Vlad. He views Cassie like a daughter and wields meat cleavers and butcher’s knives in battle.

In this adventure, Cassie and Vlad clashed with Bobby Brunswick, a veterinary assistant killed by the boyfriend of the female vet he worked for. Bobby came back from the dead for revenge and also preyed on the city with the army of dead animals that he controlled. Continue reading

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HALLOWEEN OPERA: TALES OF HOFFMANN (1881)

Halloween month continues here at Balladeer’s Blog! And elsewhere, too, I guess. 

Tales of Hoffmann

Tales of Hoffmann

TALES OF HOFFMANN (1881) – Yes, as if I wasn’t boring enough already, I’m also into opera! Now, I know traditionally “the” Halloween Opera has always been Don Giovanni, but I’ve never bought into that notion since there’s really only one scene in the whole opera that qualifies as spooky and supernatural.

At this time of year I prefer Offenbach’s Tales of Hoffmann. Not only is it full of appropriately eerie and menacing elements, but it’s also the perfect opera for you to share with someone who’s seeing their very first opera.

One of the reasons for that is that it’s in short segments, surrounded by a wraparound opening and finale. Offenbach adapts short stories written by E.T.A. Hoffmann, who in real life was a pre-Edgar Alan Poe author of eerie short stories in his native Austria during the 1800s. At any rate since this opera’s in short segments novices to the artform won’t have time to get bored.

Another reason is that, though the climax of these tales no doubt seemed shocking to the people of Hoffmann’s (or for that matter, Offenbach’s) time period, modern audiences are so used to anthology series’ like The Twilight Zone and Tales from the Crypt, etc. that today’s viewers will spot the “twist” endings coming from a mile away. This combats another common complaint of opera novices: that they have trouble following the story. Continue reading

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POSSESSION (1981) HORROR FILM REVIEW

POSSESSION (1981) – Halloween Month continues here at Balladeer’s Blog with a review of the thoroughly bizarre cult film Possession, from Polish director Andrzej Zulawksi. Because I review everything from mild horror films to extreme works, I’m offering my usual COURTESY WARNING for readers who prefer less transgressive movies. 

Possession deals with very ugly adult situations and violence plus extremely dark topics. As much as I enjoy the works of David Lynch, Zulawski goes far beyond the weirdest and most unappetizing aspects of Lynch’s films. Eraserhead comes closest to capturing the disturbing and haunting air of an Andrzej Zulawski production.

I’m far from alone in praising Possession to the Heavens, so my take on it may seem like a mere rehashing for those who are already passionate fans. However, in my opinion only the full 2 hour and 4-minute version is worth watching, not the trimmed-down versions.   

Sam Neill and Isabelle Adjani play a romantic couple whose disintegrating relationship erodes their sanity and finds them trapped within horrors they never would have dreamed could be real. Continue reading

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THE RED SPECTRE (1907) SILENT HORROR FILM FOR HALLOWEEN

The Red Spectre with the bottled souls of his victims.

THE RED SPECTRE (1907) – A 9-10 minute Pathe production which features beautifully rendered red tinting. The central figure is a demon in the depths of Hell clad in a red cape plus skull makeup and skeletal central costume. 

The Red Spectre toys with the captive souls of various women until an angel shows up to end his evil deeds and do battle with him. The angel is played by a woman with very short hair so it may have been meant to be a little boy angel. Continue reading

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HALLOWEEN AT YULETIDE: A GHOST STORY FOR CHRISTMAS (1971-1978)

Halloween Month rolls along with this look at a very old British series of telefilms that presented some classic horror tales during Christmas Season. The tales themselves were NOT set around Christmas, so they make for nice Halloween Season viewing, too. 

A GHOST STORY FOR CHRISTMAS – I’m only covering the original 1971-1978 run of these horror stories. The series was revived decades later but – especially for American viewers – the original run of (at the longest) 50-minute installments truly counts as Forgotten Television.

THE STALLS OF BARCHESTER (Dec 24th, 1971) – Dr. Black (Clive Swift), a scholar cataloguing the book collection at Barchester Cathedral, comes across the diary of a former Archdeacon who murdered his predecessor so he could rise to the position. The killer was then haunted by ghostly figures in the form of the carvings on the cathedral’s choir stalls. Also starring Robert Hardy, Thelma Barlow and Will Leighton. Continue reading

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MAN-SIZE IN MARBLE (1887) HALLOWEEN STORY

MAN-SIZE IN MARBLE (1887) – One of the iconic Edith Nesbit’s short horror stories. This was first published in the December of 1887 issue of the magazine Home Chimes. Nesbit later included it in her collection of short stories titled Grim Tales (1893). For modern readers – and possibly Victorian Age readers, too – it’s always clear where the story is headed but it’s still worth checking out.

A pair of newlyweds – Laura and her husband, the story’s narrator – have moved down to the south of England. The loving and devoted pair are self-styled bohemians and can afford to spend their days writing (in Laura’s case) and painting (in her husband’s case). 

Considering the conventional houses of the region to be unfit for a couple of such artistic temperaments they instead choose to live in a very old stone house. Continue reading

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