THE CANNED FILM FESTIVAL STARRING LARAINE NEWMAN (1986) – Halloween Month continues at Balladeer’s Blog with this look at a neglected Movie Host show, since Movie Hosts/ Horror Hosts are as associated with Halloween as are monsters and cosplay.
In this post I won’t be covering the entire history of movie hosting and the “So Bad They’re Good” film subculture. For that, there are my many other blog posts covering movie hosting from Vampira and her contemporaries, through Moona Lisa, then Son of Svengoolie, Elvira, and programs like Saturday Night Dead, The Texas 27 Film Vault and MST3K.
THE SHOW: The Canned Film Festival Starring Laraine Newman. From June 21st to September 13th of 1986 this syndicated program sponsored largely by Dr Pepper aired on Saturday nights in various time slots around the United States. Elvira’s show Movie Macabre had run from 1981 to 1986 and was winding down. The Texas 27 Film Vault, which had debuted on February 9th, 1985 was still on the air and would run for roughly two and a half years in Texas and Oklahoma.
Along came The Canned Film Festival, which, with a nationally known name like Laraine Newman attached to it, may well have been the reason that one of the attempted syndication deals for T27FV fell through. Be that as it may, Laraine Newman’s show would – like The Texas 27 Film Vault – show more than just lame horror and sci-fi films and would cover the whole spectrum of bad and/ or campy cinema of the past.
THE HOSTESS: Laraine Newman may be best known for Saturday Night Live and for her character actress work, but she had been a member of The Groundlings improvisational comedy troupe … As had Cassandra Peterson aka Elvira. Newman was also known as an aficionado of horror and fringe cinema. Continue reading
DUSTY’S TRAIL (1973-1974) – Just sit right back and you’ll hear a tale, a tale of a fateful trip … But not THAT one. Dusty’s Trail was an uninspired, unfunny attempt by Sherwood Schwartz to recapture the success of his famed sitcom Gilligan’s Island. 
Gilligan’s Island featured seven castaways trapped on a desert island because of the mind-numbing stupidity of their charter ship’s First Mate – Gilligan. Dusty’s Trail featured seven members of a wagon train hopelessly lost on their way to California because of the mind-numbing stupidity of their expedition’s Scout – Dusty. 
BLACK SASH (2003) – This program was basically a vehicle for Baguazhang-style martial artist Russell Wong and only produced 8 episodes, 2 of which were never aired. Wong starred as Tom Chang, an undercover narcotics agent who was framed and spent 5 years in a Hong Kong prison. 
Instead it dealt with the main character moving to San Francisco and running a martial arts school while trying to reestablish a relationship with his 12 year old daughter and his remarried ex-wife. He also became a mentor and surrogate parent to his students. At least one fight scene against genuinely dangerous assailants featured in each episode, too, often having to do with Chang’s sideline as a bounty hunter. 
EL MARIACHI (2014) – This Mexican television series directed by Salvador Cartas was loosely based on the 1992 Robert Rodriguez movie of the same name and its sequels, Desperado (1995) and Once Upon a Time in Mexico (2003). It’s no secret that Rodriguez himself is not fond of this series. According to some sources Sony allegedly made a tentative notification of their plans to the writer/ director and then ran with it without further input from him. 
The series of movies certainly seemed to partially inspire the later Sicario films, but I much prefer Rodriguez’s flicks. The El Mariachi television program is, unfortunately, inferior to both franchises. That’s a shame because lead actor Ivan Arana certainly looks the part and Martha Higareda as the hero’s love interest Celeste is just the right mix of sultriness and butt-kicking badness. For some reason photos of Higareda don’t come close to capturing her full allure, but seen in motion she’s even more impressive.
KUNG FAUX (2003) – Created and crafted by Mic Neumann, this half-hour comedy series was basically a hip hop version of old movies and television shows that overdubbed non-comedies with comedic dialogue, music and sound effects. In Kung Faux‘s case it featured re-edited and highly stylized martial arts films from the 1970s overdubbed with contemporary music and a hip hop comedic sensibility. 
Though Kung Faux brands this treatment as “dubtitling” as a nod to dubbed and subtitled dialogue, the approach debuted on vintage television shows like Fractured Flickers (1963), in which celebrities would dub improvised comedic dialogue over old silent movies. 
MOONBASE 3 (1973) – This BBC attempt at realistic, “no aliens or monsters” science fiction is a mixed bag, but I think it deserves a much bigger audience. Among the elements in the show’s favor is the fact that only 6 fifty-minute episodes were made, so it makes viewers a little more willing to forgive the program’s faults. 
Created by Barry Letts and Terrance Dicks of Doctor Who fame, Moonbase 3 is sort of like Doomwatch crossed with The Sandbaggers. However, Moonbase 3 keeps its science even closer to reality than Doomwatch did, so it can be a bit dry. Well, okay, VERY dry, but that’s a nice antidote to non-stop explosions, ray-guns blasting and other Space Opera cliches. 
As for the show’s similarities to The Sandbaggers, there is bureaucratic in-fighting aplenty, unexpected deaths and an emphasis on dialogue over action. And, like both of those other programs, Moonbase 3‘s characters have to deal with perpetually tight budgets limiting the success of their missions. 
MCGURK (1979) 
LIGHT SPEED ESPER (1967-1968) – This overlooked Japanese television show was titled Kousoku Esupâ in its nation of origin. If you enjoy live action programs like Ultraman or other shows from the tokusatsu subgenre of entertainment then Light Speed Esper will certainly appeal to you. 
Hikaru’s parents are killed in this intergalactic accident, filling the extraterrestrials – called Alien Espers or Esper Seijin – with immense feelings of guilt. They possess and animate the dead bodies of Hikaru’s mother and father to make amends. Very morbid amends, I grant you, but amends nonetheless. 
Balladeer’s Blog’s recurring feature Forgotten Television goes way back this time around with a look at the state of the new broadcasting technology in 1940. Great Britain and the Soviet Union had been making as many, if not more, milestone achievements in tv programming through 1939. However, World War Two brought an end to BBC television broadcasting at 12:35PM on September 1st of that year. The Mickey Mouse cartoon Mickey’s Gala Premier was the last item broadcast via television in the U.K. until 1946, when the BBC resumed programming with that very same cartoon. 
JANUARY – The FCC holds hearings on potentially licensing television broadcasting. It will not finalize its actions until April 30th of 1941, but in the meantime stations around the country continue pioneering tv programming. 
A.D.A.M. (1973) – Written by Donald Jonson and directed by Michael Lindsay-Hogg, this made for British tv item served as an episode of ITV Sunday Night Theater on April 8th, 1973. The story is part science fiction and part horror with the A.D.A.M. of the title being an acronym for a super-computer called an Automated Domestic Appliance Monitor. 
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