Nobody doesn’t like Ricardo Montalban. From Mr. Rourke to his memorable villain roles, his suave charm and magnetic charisma kept him a star for decades. Here’s a look at his swashbuckler movies.
RAGE OF THE BUCCANEERS (1961) – Montalban stars as 1600s buccaneer Captain Gordon aka the Black Pirate (no relation to the Douglas Fairbanks silent film). He’s a former slave turned pirate and his favorite targets for plunder are slave ships.
Gordon liberates all the slaves on such vessels and loots all valuables. His suffering when he was a slave drives him still and he has a “secret identity” of sorts as a wealthy landowner in San Salvador. Through that identity he covertly keeps abreast of ships with valuable cargos as well as the actions of slave merchants trying to avoid his pirate attacks.
Ricardo has two ladies vying for his love – stowaway Luanal (Liana Orfei) and the governor’s daughter Manuela (Giulia Rubini). Vincent Price himself plays Romero, an evil politician and slave trader plotting to overthrow the governor and take his place. He also wants Manuela for himself.
Romero’s most dangerous ally is Captain Tortuga (Jose Jaspe), a ruthless slaver who has clashed with Captain Gordon over the years. Montalban shines as the hero viewers can’t help but cheer for, especially when he thwarts the efforts of slavers to dump their chained human “cargo” overboard to drown rather than have our pirate captain liberate them.
This movie should have been remade in recent decades. I know studios consider pirate movies to be risky ventures but this one seems like it couldn’t miss. 88 minutes. Continue reading
RYAN O’NEAL – Let’s face it, Errol Flynn himself probably looked down from above with envy when it came to Ryan O’Neal’s escapades with women. And it’s a cinch that Flynn would have envied O’Neal’s acting talent, which was never spectacular but was above that of many of Hollywood’s biggest names.
Ryan tried his hand at boxing, then started his film career as a stuntman before gravitating to acting. At one time he was the highest-paid actor in Hollywood, but his legendary partying and volatile behavior ultimately led to him being passed over for roles that might have cemented him as an upper tier thespian in Hollywood. 
GREEN ICE (1981) – Sadly, by 1981 the age of classic heist films like Rififi was long over and that may have contributed to the less than stellar box office results for this project. Ryan O’Neal starred as Joseph Wiley, a former engineer turned adventuring globe-trotter. 
An attempt on his life drives Wiley closer to Lillian and Argenti, but after intrigues and double-crosses involving Colombian rebels, Lillian’s missing sister and clashes with the corrupt Colombian government, Argenti emerges as the main villain. 
WAR HUNT (1962) – Unusual little movie that was sort of like a Korean War forerunner of Platoon. Redford is Private Roy Loomis, a new arrival who would be the film’s Charlie Sheen equivalent, right down to his first-person narration. John Saxon would be the Tom Berenger equivalent as Private Raymond Endore, who uses the war as an excuse to give his violent tendencies full reign. 
SEA DEVILS (1953) – As England and other nations battle France in 1800, English Captain Gilliatt (Rock Hudson) has abandoned his career as a fisherman to become a smuggler. He excels at the task and over the past few years he and his ship the Sea Devil have gained quite a reputation. 
Amid much swordplay and other action during frequent trips across the Channel, Gilliatt struggles to keep her alive and understand the motives of this beautiful woman with whom he has fallen in love. 
THE AUTOMATIC MOTORIST (1911) – Balladeer’s Blog takes a look at another silent movie short by England’s Walter R. Booth. It’s a remake of his own 1906 short film The Mad Motorist but taken to the extreme. Running time is 6 1/2 minutes. 
Alice Guy-Blache (1873-1968) was a French film pioneer and was also the first woman to direct movies. Alice worked for the Gaumont Film Company and from 1896 to 1906 was Gaumont’s Head of Production. 
PIERRETTE’S ESCAPADES (1900) – A woman changes from a pink dress to a green dancing outfit. She proceeds to dance alone and soon finds the stock clown character Pierrot dancing with her. The clown tries kissing her but is rebuffed. Next, the stock character Harlequin dances with her, impresses her and the two share a kiss as the 2-minute production comes to a close. Some frames were hand-tinted. 
ESMERALDA (1905) – The oldest known movie version of The Hunchback of Notre Dame. Alice had been shepherding Gaumont’s movies away from mere visual spectacle and on to narrative filmmaking. 
Yes, Happy Easter, ladies and gentlemen! Balladeer’s Blog helps celebrate by combining the holiday with my passion for silent films. I’m providing the following list of silent movies – both shorts and feature films – about Jesus Christ. 
CHRISTUS (1916) – Directed by Giulio Cesare Antamoro, this is a fascinating look at Jesus, from the Angel visiting Mary through his Resurrection and subsequent visit with his Apostles. Christus runs 88 minutes and features some inventive variations on Biblical tableaux. The Star of Bethlehem is depicted as a comet; when Mary finds young Jesus preaching to his teachers His shadow appears as a cross; and Judas gets three visions of the Devil – first urging him on to betray Jesus, then taunting him when he regrets that betrayal, and finally welcoming him into Hell, which opens up under Judas’ swinging corpse. 
TOP SECRET (1984)
Balladeer’s Blog takes a look at the film appearances of Errol Flynn’s son Sean. The two did not get along, unfortunately, largely because of Errol only caring about Sean when the mood struck him according to Sean. 
THE SON OF CAPTAIN BLOOD (1962) – Since the 1935 swashbuckler Captain Blood propelled Errol Flynn to stardom, the studio was hoping a Son of Captain Blood flick would do the same for Sean. Jock Mahoney, a former Tarzan and stunt man for Errol trained Sean in fencing and acrobatics to prepare for the role. 
The ship Robert commands has among its passengers a handful of giggling young ladies being transported to England along with their stern lady chaperone. This new Captain Blood turns their heads and ultimately Abigail McBride (Alessandra Panaro) beats out the others for his heart. 
MARIE WALCAMP (1894-1936) – Like her fellow silent film icons 
TEMPEST CODY – Marie was already getting above the title billing by the time her two-reel Tempest Cody western shorts came along in 1919. Tempest was a hard-riding, two-fisted, straight-shooting woman of the old west who was always on the side of right. 
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