AFTER THE THIN MAN (1936) – Previously, Balladeer’s Blog covered the neglected Sam Spade short stories that Dashiell Hammett wrote HERE. This time around I will look at the story treatment that Hammett provided the studio with regarding After the Thin Man. I feel this treatment is better than the actual shooting script and wish he had released it first as a longish short story.
It’s shorter and less prone to the silly diversions that stretched the film version to such an unnecessary length. As you would expect, there are other differences besides the running time.
HAMMETT’S TREATMENT: The story starts out the same way as the subsequent movie. It is New Year’s Eve as Nick and Nora Charles’ train arrives back in San Francisco a few days after their highly publicized investigation of the Wynant Murder aka “The Thin Man” case. We get familiar bantering and eccentric behavior between the tipsy married couple. Continue reading
A MAN CALLED SPADE – Published in the July 1932 issue of The American Magazine.
Max lies on the floor, partially undressed. A five-pointed star has been drawn on his bare chest in black ink and with a Greek letter tau in the center. Spade, hoping Max’s daughter will pay him the fee that her father now cannot, tries selling her on the notion that he’s now working for her late father’s estate, and her.
HAMMETT (1982) – Directed by Wim Wenders and produced by Francis Ford Coppola’s Zoetrope Studios, Hammett is a criminally neglected valentine to Hard-Boiled Detective Stories and Film Noir. The flick is based on the novel by Joe Gores.
Booze and coughing fits figure prominently in the movie, as you would expect given a protagonist who was an alcoholic with tuberculosis. For the sake of convenience the story that Hammett just finished before blacking out was one featuring his character the Continental Op (as in an operative for the fictional Continental Detective Agency).
THE THIN MAN (1934) – Mystery writer Dashiell Hammett’s final novel, The Thin Man, introduced former private detective Nick Charles and his wealthy socialite wife Nora. After marrying Nora, Nick left detective work in order to manage her business interests.