Monkees member Peter Tork is dead. Not since the infamous Day The Music Died has the rock world suffered such a loss. I’m kidding! Still, though, here’s a Balladeer’s Blog goodbye to the one and only member of the Monkees whose name always puts me in mind of the measure of a force’s tendency to produce torsion equal to the product of the force vector and the radius vector from the axis of rotation to the point of application of the force.
I think you’ll agree.
Anyway, I considered reviewing the Monkees’ movie Head or maybe even the motorcycle flick Torque but instead I’m going with this look at the NEW Monkees show from 1987.
The New Monkees are remembered as the most pointless re-launch of a band in history AND as one of the worst television shows in history. I’ve never listened to their one and only album so I can’t say if they make it a Hat Trick with one of the worst albums in history, too.
The premise sounds like a comedy sketch from the glory days of SCTV but unfortunately this thoroughly bizarre attempt to recapture the flukish charm of the original Monkees was 100% real.
Let’s look at the debut episode of The New Monkees‘ 13 episode run in 1987. Everything you’ve heard is true: We get Rocky Horror Picture Show lips voiced by a black lady, a weird sci-fi mansion home for the title foursome, a built-in diner and their annoying butler, Manford.
The laugh track does NOT go off during the few things that seemed funny, like a couple of apparently ad-libbed jokes by the New Monkees during their screen test footage, but instead goes off during lame, obvious jokes that not even small children would laugh at. Continue reading
Yes, in a not-so-subtle attempt to exploit Aquaman‘s suprising success it’s a Warner Archives Blu-ray of the telefilm Man From Atlantis. Patrick Duffy stars as Marcarus, the (seemingly) last survivor of Atlantis with Victor “King Tut” Buono as his evil archenemy Mr. Schubert.
Recently Balladeer’s Blog wrapped up an in-depth examination of all 17 episodes of Patrick McGoohan’s pioneering 1967 series The Prisoner. Before Lost, before The X-Files, before Twin Peaks, there was this innovative British series which was equal parts science fiction and existentialism.
alladeer’s Blog CONCLUDES its examination of the 1967 science fiction/ existential drama The Prisoner
Episode Title: ONCE UPON A TIME … This installment is PART ONE OF THE TWO-PART SERIES FINALE.
Leo McKern returns as the same Number Two he portrayed back in The Chimes of Big Ben. The Number Twos are the rotating series of executives who manage the prison-city called the Village. The midget Butler (Angelo Muscat), the only character besides Patrick McGoohan to appear in every episode of the series, serves McKern breakfast right there in Number Two’s office inside the Green Dome.
“Why do you care?” he asks our protagonist when he answers. (I’d have preferred the more specific question “Why do you STILL care?”) McGoohan makes it clear he recognizes the voice and when Number Two asks the same question again he tauntingly replies “You’ll never know.”
Episode Title: IT’S YOUR FUNERAL … In the ongoing debate over the exact ordering of the 17 episodes of The Prisoner I place this one 3rd from the last.
It’s Your Funeral centers around an assassination attempt in the Village and features how our main character’s rebellious nature has begun inspiring assorted other Villagers to commit their own subtle acts of defiance to the Villagekeepers.
Episode Title: HAMMER INTO ANVIL … In the ongoing debate over the exact numbering of the 17 episodes of The Prisoner I place this one 4th from the last.
THE STORY: Amid a dramatically convenient thunderstorm this episode’s Number Two, the rotating series of executives who manage the prison-city called the Village, interrogates a female prisoner called Number Seventy-Three. Her wrists are still bandaged from her recent suicide attempt, an action she tried in order to escape captivity in the Village.
DO NOT FORSAKE ME, OH MY DARLING – This is the third and final of the 3 episodes I would drop from this 17 episode series because they either do not serve the premise or don’t serve it well. I will synopsize the storyline, point out why I would drop it and add how I would change it.
The Villagekeepers demonstrate for this agent the Colonel (yes, a third “colonel” appears in the series) Dr Seltzman’s device for switching minds between two human subjects. They do not fully understand the process nor do they understand how to switch the minds back to their respective bodies afterward.
A CHANGE OF MIND
The Prisoner is exercising on some makeshift gymnasium equipment that he has constructed for himself in the woods just outside the prison city called the Village. Some Villagers who may or may not be thugs of the Villagekeepers gather around and taunt our protagonist for his antisocial, non-conformist ways. They also threaten to report him to “the Committee” for his dissident behavior.
As much as I love The Prisoner there is no denying that even at a mere 17 episodes the series had a few duds. In my opinion there are three installments that could be eliminated completely because they do not serve the overall premise or don’t serve it well.
THE GIRL WHO WAS DEATH – Talk about burying the lede! This episode completely glosses over the horrifying revelation that there are children in the Village. That’s right, we learn that there are CHILDREN in the Village!