THE SCARLATTI INHERITANCE (1971)
TIME PERIOD: Pre-World War One Era on up through the start of the Great Depression with an epilogue set during World War Two.
This was Robert Ludlum’s very first novel and it’s a shame that the planned movie starring Ingrid Bergman never panned out. In my opinion there has never been a very good screen adaptation of a Ludlum novel. Or at least not when it comes to adaptations that are actually like their source material.
The successful Jason Bourne movies bear virtually no resemblance to the trilogy of novels that inspired them. Other films or mini-series’ adapted from Ludlum’s writings have tended to be so far off the mark that some of them qualify as classically bad, for instance The Osterman Weekend.
HEROINE: (This novel has a female and a male protagonist) Elizabeth Wyckham Scarlatti, an 1890s adventuress from American Old Money who – in her youth – spurned plenty of bloated rich pigs for not being as high-spirited and daring as she was.
Her heart and loins are finally stolen away by Italian-American Giovanni Scarlatti, a laborer in her father’s factory. Though he speaks broken English, Scarlatti’s mechanical genius is first-rate. The rebellious Elizabeth combines her own business acumen with Giovanni’s aptitude for inventions and before long the two lovers are married and have taken over the companies run by her father and plenty of his friends.
The Scarlattis continue to thrive financially through the expected hardball methods and after having three children they change the family name to Scarlett. Eventually Giovanni dies of natural causes and eldest son Roland is killed during World War One.
Making her own version of Sophie’s Choice, Elizabeth allows her brawling, bullying wastrel of a son Ulster to enlist in the Army to romantically take Roland’s place in the World War while keeping third son Chancellor in America with her to prep him to take over Scarlett Industries when she dies.
HERO: Matthew Canfield, an accountant and investigative agent for the American government – specifically Group Twenty, Ludlum’s fictional agency. Group Twenty was operative during the 1920s, when the bulk of this story takes place. Their agents specialized in uncovering financial hanky-panky in that gray area where dishonest business practices and outright criminality mingle. Continue reading
Full Title: A NARRATIVE OF THE LIFE AND ASTONISHING ADVENTURES OF JOHN DANIEL, A SMITH AT ROYSTON IN HERTFORDSHIRE, FOR A COURSE OF SEVENTY YEARS. (1751) – Written by Ralph Morris, supposedly a pseudonym used by an unknown man. 
The unmarried son, Daniel (yes his name is Daniel Daniel) has a knack for inventing things and builds a flying machine. Its general shape is like one of our modern-day airplanes but the wings are leather over metal rod frames and in order to fly the wings must “flap,” which they do, powered by a pump. 
GRIPS 
As I indicated in the title of this blog post, I consider the Grips tales to be what low-budget, disreputable Grindhouse movies of the past were to glossy, professional films from major studios. The writing and artwork in Grips seldom approached the standards of the Big Two publishers, but the visceral violence, profanity and often taboo subject matter more than made up for the overall shoddiness of the finished product. 
A DARWINIAN SCHOONER (1893) – Written by William Alden. With so many fans of the various Planet of the Apes movies still around, I figured it was a good time to post a review of this story that’s in a similar spirit. 
THE ABYSMAL INVADERS (1929) – Written by Edmond Hamilton. This is a nice mish-mash of elements that are part Creature Feature, part Doctor Who and part Jurassic Park. Hamilton gets bashed as a hack but his stories are harmless fun. 
JUSTICE LEAGUE OF AMERICA Vol 1 #183 (October 1980) 
The remaining evil forces on Apokolips – led by Granny Goodness (a Kirby creation, needless to say) – have raided New Genesis and abducted most of the inhabitants, then taken them as slaves back to their own planet. They did it with the help of three Earth-Two villains – Icicle, Shade and the Fiddler – so the New Gods use the annual get-together of the Justice Society and Justice League to recruit the two teams to help them recover their kidnapped population. 
THE STORY IMPLYING THAT MONGAN WAS FIONN MAC CUMHAILL REBORN AND HOW HE AND HIS NEPHEW KILLED FOTHAD AIRGTHECH (Scel asa mberar combad hé Find mac Cumaill Mongáin ocus aní día fil aided Fothaid Airgdig) – Ireland’s Prince Mongan, whom 
Eventually Forgoll insists his knowledge has been insulted by Mongan’s contrary claim and threatens to curse and ridicule Mongan unless Mongan gives him his wife by way of reparations. An elderly, decrepit stranger arrives on the scene. 
FIVE HUNDRED YEARS HENCE (1818) – Written under the pseudonym “D” this work was published the same year as Mary Shelley’s novel Frankenstein. The story is presented as written observations of the world in October and November of the year 2318. 
THE CONCEPTION OF CUCHULAINN (Compert Con Culainn) – One of the versions of the birth of the demigod Cuchulainn. This version begins as Ulster’s King Conchobar mac Nessa (at left) goes on a hunt for magical birds with several nobles of Ulster and his daughter Deichtine, his charioteer. (In the later and more popular versions Deichtine is King Conchobar’s sister, not his daughter, and most of the Cuchulainn myths refer to him as Conchobar’s nephew, not grandson.) 
THE HERETIC 
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