Halloween Month continues here at Balladeer’s Blog and so does the 200th anniversary year of Mary Shelley’s novel Frankenstein. FOR THREE MORE REVIEWS OF DAN CURTIS HORROR PRODUCTIONS CLICK HERE
FRANKENSTEIN (1973) – Dan Curtis was well-known for his Dark Shadows television series, the original Night Stalker telefilm and its sequel The Night Strangler. Throw in The Norliss Tapes, Trilogy of Terror and about a dozen more made-for-tv exercises in the macabre.
In Frankenstein Robert Foxworth stars as Dr Frankenstein and Bo Svenson portrays his famous monster in what was originally a two-part presentation on The Wide World of Mystery. (“He’s an artificially created monster who solves murders!”)
Susan Strasberg played the good doctor’s love Elizabeth, Willie Aames was William Frankenstein and John Karlen from Dark Shadows appeared as Otto.
Leif Garrett, soon to appear as one of the murderous children in Devil Times Five, was briefly glimpsed as a little boy running from the Frankenstein Monster. Heidi Vaughn and Brian Avery were along for the ride as the DeLaceys. Continue reading
Jack Palance and THE Billie Whitelaw in Dan Curtis’ Dr Jekyll and Mr Hyde.
HAPPY HALLOWEEN! Dan Curtis was well-known for his Dark Shadows television series, the original Night Stalker telefilm and its sequel The Night Strangler. Throw in The Norliss Tapes, Trilogy of Terror and about a dozen more made-for-tv exercises in the macabre.
In keeping with Balladeer’s Blog’s overall theme here’s a look at four of Curtis’ overlooked horror productions, ranging from excellent to laughable.
DR JEKYLL AND MR HYDE (1968) – Believe it or not Jack Palance does a decent job as the dual title figure in this made for tv movie which also starred Denholm Elliott, Oskar Homolka and BILLIE WHITELAW, who was introduced in this production.
This rendition of Dr Jekyll and Mr Hyde is top quality for a 1968 television effort and reflects the best elements of Curtis’ then-current Dark Shadows but without the frequent on-air gaffes that plagued that live broadcast.
The story is very nicely adapted with just the right amount of foggy London streets, murders and increasingly obscene behavior from Edward Hyde. One of the best features of this Dan Curtis treasure is the way it retains Robert Louis Stevenson’s oft-neglected point that it was Jekyll behind the horror all along – Hyde was simply the “mask” that gave free reign to the dark urges Jekyll suppressed in his everyday “respectable” life. Continue reading