This weekend’s escapist superhero blog post will examine the infamous independent creation Grips. His gritty, ultraviolent escapades ranged from fighting street crime to stopping Saddam Hussein from using nukes on America.
GRIPS
First Appearance: Grips #1 (September 1986). His final appearance came in March 1992.
Secret Identity: Martin Kane, artist for Fat Ninja Comics
NOTE: Created and written by Kris Silver and with his earliest adventures illustrated by Tim Vigil of Faust fame, Grips was a cross between Wolverine and the Punisher. However, as a character from an independent company whose internal pages were in black & white his violence and other mature themes went WAY beyond anything featuring either of those two Marvel Comics creations.
Think of the over the top, seldom realistic violence of films like Riki-Oh: The Story of Ricky, or maybe Sonny Chiba’s 1970s Street Fighter flicks.
As I indicated in the title of this blog post, I consider the Grips tales to be what low-budget, disreputable Grindhouse movies of the past were to glossy, professional films from major studios. The writing and artwork in Grips seldom approached the standards of the Big Two publishers, but the visceral violence, profanity and often taboo subject matter more than made up for the overall shoddiness of the finished product.
One thing is certain – you’ll consider Wolverine and the Punisher to be as bland and corporate as Richie Rich comics after you’ve walked the Sacramento streets of Kris Silver’s deranged vigilante called Grips.
Powers and Weapons: Continue reading
A DARWINIAN SCHOONER (1893) – Written by William Alden. With so many fans of the various Planet of the Apes movies still around, I figured it was a good time to post a review of this story that’s in a similar spirit. 
PRAY FOR THE WILDCATS (1974) – That’s Wildcats as in the Baja Wildcats, the name given by the villainous Andy Griffith to himself and his fellow over the hill dirt bikers – William Shatner, Marjoe Gortner and Robert Reed! 
THE ABYSMAL INVADERS (1929) – Written by Edmond Hamilton. This is a nice mish-mash of elements that are part Creature Feature, part Doctor Who and part Jurassic Park. Hamilton gets bashed as a hack but his stories are harmless fun. 
JUSTICE LEAGUE OF AMERICA Vol 1 #183 (October 1980) 
The remaining evil forces on Apokolips – led by Granny Goodness (a Kirby creation, needless to say) – have raided New Genesis and abducted most of the inhabitants, then taken them as slaves back to their own planet. They did it with the help of three Earth-Two villains – Icicle, Shade and the Fiddler – so the New Gods use the annual get-together of the Justice Society and Justice League to recruit the two teams to help them recover their kidnapped population. 
ADAM AND EVE VS THE CANNIBALS (1983) – Way back in 2014 I reviewed this quasi-peplum flick starring Mark Gregory, real name Marco De Gregorio. Instead of portraying Hercules or Maciste or Samson taking on monsters and human opponents, Mark played Adam taking on monsters and human opponents. 
THE STORY IMPLYING THAT MONGAN WAS FIONN MAC CUMHAILL REBORN AND HOW HE AND HIS NEPHEW KILLED FOTHAD AIRGTHECH (Scel asa mberar combad hé Find mac Cumaill Mongáin ocus aní día fil aided Fothaid Airgdig) – Ireland’s Prince Mongan, whom 
Eventually Forgoll insists his knowledge has been insulted by Mongan’s contrary claim and threatens to curse and ridicule Mongan unless Mongan gives him his wife by way of reparations. An elderly, decrepit stranger arrives on the scene. 
FIVE HUNDRED YEARS HENCE (1818) – Written under the pseudonym “D” this work was published the same year as Mary Shelley’s novel Frankenstein. The story is presented as written observations of the world in October and November of the year 2318. 
THE CASSANDRA CROSSING (1976) – The Andromeda Strain meets the later Supertrain in this railroad version of the Airport movies. I’m sure we all know the formula of Disaster Movies, be they about natural disasters striking cities or manmade disasters striking mass transportation like airplanes, ships and trains. 
In general, the storyline involves a genetically engineered plague covertly developed by government functionaries (think of Anthony Fauci and his ilk) despite international agreements not to conduct such research. Terrorists who want to steal the plague for their own use botch a raid on the International Health Organization (a pastiche of the World Health Organization), which results in a shootout and in two of the terrorists being exposed to the plague. 
