For Part One of this series click HERE.
CAPTAIN AMERICA & THE FALCON Vol 1 #168 (December 1973)
Title: And A Phoenix Shall Arise
Villain: Phoenix (The son of the original Baron Zemo) FIRST APPEARANCE
Synopsis: We pick up an unknown number of weeks or months after the end of the Yellow Claw storyline. In the intervening time period Captain America was in action with the Avengers saving the universe from Dormammu and Loki alongside the Defenders.
Captain America and the Falcon are out on their nightly patrol looking for crime. At length they pause on a rooftop to discuss how much guilt that Steve (Cap) still feels about the way that the long-lost Peggy Carter is still adjusting to the years she lost in the mental hospital.
And, sadly, has been relying on Cap more and more to cope with the modern world since he went through a similar experience when the Avengers found him frozen in suspended animation years ago. Worst of all is the way that Peggy thinks that she and Steve/ Cap are still an item even though in the years that she was gone he and Sharon Carter, Peggy’s much younger sister, have fallen in love.
NOTE: Over the decades, as the World War Two era was left further and further behind, Marvel retconned it so that Sharon was really Peggy’s niece, then grand-niece, etc instead of her younger sister.
Without warning, Steve and Sam (Falcon) are attacked by a new supervillain calling himself the Phoenix and using a high-tech rifle that shoots deadly energy rays. Phoenix taunts Cap that he has a grievance to settle with him, puzzling our hero, who doesn’t recognize him. Continue reading
IT’S A BIRD … IT’S A PLANE … IT’S SUPERMAN! (1975) – It’s the bomb that asks the musical question “How many Lembecks can you handle?” Even the most die-hard Superman fans would have a hard time forcing themselves to watch all of this made for tv movie version of the 1966 stage musical.
Despite music by Charles Strouse, lyrics by Lee Adams and script by David Newman & Robert Benton this Superman musical was Broadway’s biggest flop in history as of the 1960s. It’s no great shakes in its televised form, either.
CAPTAIN AMERICA & THE FALCON Vol 1 #165 (September 1973)
Nick Fury, who arrived recently with several armed S.H.I.E.L.D. agents in helicopters, is still explaining to Cap and Falc that Nightshade was being financed by the Yellow Claw. Fury and his agents arrived hoping to capture the Claw but that villain had already escaped.
ONE: While searching for the missing Aunt May, Spider-Man gets caught up in the ongoing gang war between Dr Octopus and Hammerhead to see who will succeed the arrested Kingpin as crime boss of New York. Click
CAPTAIN AMERICA & THE FALCON Vol 1 #163 (July 1973) 
CAPTAIN AMERICA & THE FALCON Vol 1 #160 (April 1973) 
For several years here at Balladeer’s Blog I have been trying to track down, watch and review all of the film versions of Hunterwali (Whip-wielding Woman), Bollywood Cinema’s butt-kicking masked female heroine. Often glibly dismissed as a female Zorro, there is much more cultural context to the Hunterwali figure – contextual significance that goes beyond the particular time period of each film version.
Thus far I have been able to watch the 1935 original, which starred the actress billed as “Fearless Nadia” in India, and the 1988 Hunterwali. I have had no luck tracking down the 1959, 1972, 1977 and 2017 movie versions. Nor have I been able to buy the 1943 film, Hunterwali Ki Beti (Hunterwali’s Daughter), the very first sequel movie in Indian entertainment history.
The basics of the Hunterwali story involve Princess Madhuri adopting a masked, whip-wielding and stunt-riding identity to combat the many injustices inflicted on the kingdom by her father’s evil Vazier Ranamal. That villain even imprisons the king and lusts after Madhuri, little realizing she is really the swashbuckling “protector of the poor and punisher of evildoers” called Hunterwali.
CAPTAIN AMERICA & THE FALCON Vol 1 #157 (January 1973)
CAPTAIN AMERICA & THE FALCON Vol 1 #153 (September 1972)
Because December 21st is the shortest day of the year, Balladeer’s Blog always runs articles about short films, short presidential administrations (Yes, William Henry Harrison) and similar topics. This year I’m pandering to the insatiable superhero audience with this look at a Marvel Comics title that was INTENTIONALLY published as a one-shot item, making it the shortest series run imaginable.
Previous articles here have dealt with the way that, for part of the 1960s, Marvel was limiting how many titles it had hitting newsstands. That meant publishing some of their heroes in one monthly publication, with each character getting a story covering half the issue. Iron Man and Captain America shared Tales of Suspense, Sub-Mariner and the Hulk shared Tales to Astonish.
The trouble was, both Iron Man and Sub-Mariner had one more half-issue length story left and ready to be printed, but there were no more split comic book titles to accommodate them. So, Marvel Comics published one lone issue of a comic book titled Iron Man and Sub-Mariner.