TEMPLE LEA HOUSTON (August 12th, 1860-August 15th, 1905) – This future gunslinging lawyer and last child of Sam Houston with his wife Margaret Lea-Houston was born in the Governor’s Mansion in Austin, TX. His storied father, the first president of the short-lived Republic of Texas was then serving as governor for the state of Texas.
Temple’s father died in 1863 and his mother passed away in 1867, from which point the boy was raised by his older sister and her family in Georgetown, TX. In 1873 he ran away to serve in a cattle drive from Texas to what is now North Dakota, then worked on a riverboat to earn his way back down south to New Orleans.
It was during this time that Temple met an old friend of his father, who arranged a job for the young man as a Senate Page in Washington, DC. Working in that capacity for 3 years, Temple developed an ambition to study law and enter politics himself someday. Continue reading
THOMASINE & BUSHROD (1974) – The Frontierado Holiday is Friday, August 4th this year, so here is another seasonal post – a review of the black western Thomasine & Bushrod. This tale of a pair of outlaw lovers is a nice change of pace since it is set in the fading Wild West of 1911-1915. Automobiles are beginning to show up here and there, making Thomasine & Bushrod a fascinating fusion of “Robin Hood Outlaw” tales bridging both the old west and the later Pretty Boy Floyd era. 
While collecting the money from her most recent success, Thomasine sees a fresh Wanted poster for her old boyfriend J.P. Bushrod, a gunslinging bank robber and rustler portrayed by Max Julien from the previous year’s blaxploitation hit The Mack. 
Frontierado is celebrated the first Friday of every August, so this year it will be marked on August 4th. This holiday celebrates the myth of the old west, not the grinding reality. Here’s a seasonal post regarding my look at an opera version of the original Django spaghetti western from 1966, which strips the story down to its essentials, with no gold subplot.
DJANGO: AN OPERA – Here at Balladeer’s Blog I love sharing my enthusiasms. My blog posts where I provide contemporary slants to Ancient Greek Comedies to make them more accessible have been big hits over the years, so I’m trying it with operas. A little while back I wrote about how Philip Wylie’s science fiction novel Gladiator could be done as an opera. This time I’m addressing the 1966 original version of the Spaghetti Western titled Django. 
LANGUAGE: Spanish. I’ve resigned myself to the fact that most of my fellow English-speakers find English-language operas to be silly. The prosaic nature of the forced rhymes in a language we are well-versed in does seem to rob opera of its mystique and its grandeur. 
Scene One: The opera would open with a stage version of one of the most iconic visuals from the 1966 film. Our title character, DJANGO, clad in his long blue jacket with his well-worn Union Army uniform underneath it, slowly, wearily drags a coffin behind him as he walks along singing his mournful song. He pulls the coffin via a rope slung across one shoulder. 
THE MAN FROM PAINTED POST (1917) – Here is another Douglas Fairbanks movie from the years before he became the film world’s premier swashbuckler. Unlike the pure comedy of Fairbanks’ 
JACK LONG or The Shot in the Eye (1844) – With the Frontierado Holiday coming up in early August, Balladeer’s Blog takes a look at this Charles Wilkins Webber short story from 1844. 
In 1853, the author added his original, official version of the story to his collection Tales of the Southern Border. It may be impossible to overstate the legacy of Jack Long. This Texas-set story presented virtually Biblical levels of violence during the Shelby County War (1839-1844) and set the standard for tales of gunslinging revenge quests down to the present day. 
RELIC OF FORT TEJON (November 3rd, 1957) – Here’s something a little different from the usual for Balladeer’s Blog’s Forgotten Television category. The 1950s James Garner series Maverick was an all-time classic, but this particular episode is often overlooked. 
Previously, I’ve examined the 
SHANE (1966) – David Carradine starred as the iconic gunslinger Shane in this 1966 television series adapted from the 1953 Alan Ladd movie.
If you’re not familiar with the movie, Shane is a gunfighter who longs to settle down and pursue the non-violent life he would have lived if things had turned out differently for him. He falls in with the Starrett family, who are among the Wyoming homesteaders getting leaned on by dishonest ranchers who want them off “their” land. 
BUCKSKIN FRANK LESLIE – Franklyn Leslie, full name Nashville Franklyn Leslie, was better known as Buckskin Frank. “Nashville” was, he claimed, his actual first name, NOT a nickname. 
Documentation starts to show up regarding Buckskin Frank on July 11th, 1869 when he arrived in San Francisco via the steamship Portland according to the passenger information published by the Daily Alta California. 
PONY BOB – Robert Haslam, better known as Pony Bob, holds multiple records set in the Pony Express during its year and a half history, including the longest individual round-trip ride – 380 miles – when one of his relay riders was put out of action during the Paiute War in 1860. 
With Frontierado rapidly approaching on August 5th – or for those of us who kick things off the night before – August 4th – let’s take a look at some of the most obscure but laughably weird Italian westerns. And what better way to start that list than with one of the countless Spaghetti Westerns with phony Django titles? 
1. DJANGO KILL (1967) – Originally titled If You Live, Shoot!, this was one of the many Eurowesterns to be re-released to theaters years later as a phony Django movie just so it could clean up on the guaranteed cash cow of the Django name. 
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