LET’S TALK AT HOME (2001-2003) – This cult program is often called “Mexico’s MST3K.” Its Spanish language title is A Platicar a su Casa, which has been translated into English as Let’s Talk at Home, Do Your Talking at Home and similar titles.
The premise of this Mexican Movie Host show borrows from Joel Hodgson’s 1988 creation Mystery Science Theater 3000, which took movie hosting to the logical next level by having the hosts make jokes about the bad film being shown even while it was playing, rather than limiting comments about the flick to before and after commercial breaks.
Balladeer’s Blog has written a great deal about earlier Movie Host shows, from 1950s efforts like Vampira, Mad Marvin and others on up through Moona Lisa and Ghoulardi in the 60s and 70s to 1980s programs like Elvira’s Movie Macabre, Texas 27 Film Vault, Laraine Newman’s Canned Film Festival, etc,
A Platicar a su Casa was shown on Mexico’s channel Ponchivision in the early 2000s. It’s been off the air for several years due to Ponchivision’s obscurity and budget issues, but the program has a devoted following to this very day with episodes popping up around the internet.

The wisecracking hosts were Andres Bustamente and Trino Camacho, two legends in Mexican comedy. The jokes were what you would expect – shots at the poor quality and/or low budget of the films, their odd storylines plus some social and political commentary about life in Mexico. Continue reading
THE MINI-MUNSTERS (1973) – This children’s cartoon version of The Munsters originally aired on October 27th, 1973 as one of the hour-long (including commercials) episodes of the second season of ABC’s Saturday Superstar Movie. That version was 44 minutes long without commercials. ABC later edited it down into a VERY incoherent 22-minute version that they proceeded to combine with commercials to make a half-hour Halloween cartoon which they would broadcast into the 1980s.
Not that the 44-minute version is a masterpiece, but it holds together much better than the edited version. You can judge for yourself because no less than THREE versions of The Mini-Munsters are available online: The original 44-minute version in color, the 22-minute version in color AND a black & white version of the 44-minute original.
SHANE (1966) – David Carradine starred as the iconic gunslinger Shane in this 1966 television series adapted from the 1953 Alan Ladd movie.
If you’re not familiar with the movie, Shane is a gunfighter who longs to settle down and pursue the non-violent life he would have lived if things had turned out differently for him. He falls in with the Starrett family, who are among the Wyoming homesteaders getting leaned on by dishonest ranchers who want them off “their” land.
CHASE (1973) – This cop show from the 70s had an odd history and ultimately wasted an initially promising premise.
Officer Steve Baker (Michael Richardson) was a former race car driver who handled the car chases. Officer Norm Hamilton (Reid Smith) was a Vietnam War veteran and helicopter pilot who handled aerial activities. And Officer Fred Sing (Brian Fong) was a hotshot motorcycle cop long before CHiPS hit the airwaves.
COUNTERSTRIKE is a tragically forgotten British sci fi television series from 1969. Jon Finch (left) portrayed Simon King, an alien agent who worked for the Intergalactic Council. This council had sent him to Earth to protect it from a group of renegade aliens from a dying planet who wanted to conquer the Earth and make it their new home.
This French-produced (but English language) series about William Tell was the perfect antidote for fans of derring-do who were bored with the umpteen versions of the Robin Hood legend.
William Tell and his son (the famous one with the apple on his head) defiantly foiling Gessler’s sinister machinations with the aid of fellow rebels.
THE GREATEST SHOW ON EARTH (1963-1964) – This forgotten television program was yet another attempt to transform a successful movie into a weekly series … in a way. The characters aren’t carryovers from the 1952 movie, but the whole “Circus as a Soap Opera” approach is there. Jack Palance starred as circus manager Johnny Slate, the only true regular since he was in every episode. (By contrast, Stuart Erwin as Otto King had the second most appearances at a mere 9 episodes.)
COMMANDO CODY: SKY MARSHAL OF THE UNIVERSE (1953) – This will be a comprehensive look at the winding saga of Commando Cody, the character’s changing names and his status as the inspiration for the much later Rocketeer figure. As a quick preface to this look at the short-lived half-hour television series Commando Cody: Sky Marshal of the Universe I will recap the three Republic serials that preceded it.
King of the Rocket Men (1949) – This 12-episode serial was directed by Fred C. Brannon and written by Royal K. Cole, William Lively & Sol Shor. An organization called Science Associates finds its major scientists being killed off one by one through the efforts of a mysterious villain calling himself Dr. Vulcan.
With Dr. Millard playing dead, Jeffrey King dons the experimental rocket pack invented by Millard and takes to the air. King, the title “King” of course, also arms himself with a ray-gun pistol that he and Millard developed together. To keep his identity a secret, Jeffrey wears a helmet that conceals his face in addition to providing protection. 
STAR MAIDENS (1975-1976) – This obscure (only 3 reviews to date on IMDb) British-German television series from the 1970s has the same kind of campy visual appeal as U.F.O., Space: 1999 and every other Gerry & Sylvia Anderson series in history.
The futuristic planet called Medusa was ruled by women with an iron fist, with men relegated to the roles of domestic servants or laborers in mines and factories, etc. Men were outrightly owned by women and the “Men’s Liberation Movement” was outlawed and hounded. Gareth Thomas of all people starred as one of two rebellious men who escape Medusa in a stolen spaceship and head for 1970s Earth. 