Halloween month continues at Balladeer’s Blog!
CROSS OF THE SEVEN JEWELS (1987) – This Bad Movie Classic may be my favorite non-Paul Naschy werewolf production.
Cross of the Seven Jewels is easily the worst and weirdest werewolf movie I’ve ever seen. Forget The Werewolf of Woodstock, forget Face of the Screaming Werewolf, forget Werewolf vs the Yeti and all the rest of Paul Naschy’s lycanthropy flicks. You can even forget Werewolves on Wheels and the muddy-faced wolfman from Dracula, Prisoner of Frankenstein. Marco Antonio Andolfi starred in this film under the name Eddy Endolf plus wrote and directed it as well.
Andolfi was openly influenced by Paul Naschy’s werewolf films from Spain, but produced a cinematic mess that captured neither the eroticism of Naschy’s Waldemar Daninsky movies nor their goofy charm. Marco’s depiction of a werewolf is a bit … eccentric … and can only be described as “just a little something for the laaaadieeessss.”
Personally, I would have titled this film “Ya Call THAT a Werewolf?” but I’m kind of weird.
When Andolfi transforms into a wolfman he somehow loses his clothes (which illogically reappear on his body when he reverts back to human form) and he sprouts long bushy hair in only a few places. The first place is around his face with his mouth left bare, making him look like he’s wearing a big hair-mask with eye-holes. The second place would be his hands and the third place is his crotch, which conveniently becomes bushy enough to block out the sight of his genitals. The rest of his well-built body is butt naked.
Remember An American Werewolf in London? Well, think of this as An Italian Werewolf in his Birthday Suit. Speaking for myself I would LAUGH if a werewolf who looked like that came after me, but I’m not a character in this film and they all take the lycanthrope seriously. Continue reading
THE RESURRECTED MONSTER (1953) – Directed and co-written by the trailblazing Chano Urueta, this film is regarded as Mexico’s first sci-fi/ horror blend. A plastic surgeon named Dr. Hermann Ling (Jose Maria Linares-Rivas) has been driven mad by a lifetime of scorn over his grotesque, misshapen (yet hilarious) appearance. He has spent years working in isolation at a remote castle. 
As Halloween Month continues, here’s a look at my favorite Jean Rollin vampire films. Note that these are not my all-time favorite movies about vampires, just my favorites by Rollin. 
Toss in his eerie, haunting and beautiful movie 
THE SHIVER OF THE VAMPIRES (1970) – In my view this is the first real example of a Rollin vampire film. His Rape of the Vampire definitely showed how inexperienced he was at horror, while The Nude Vampire had those undertones of sci-fi that I mentioned above. 
Halloween Month at Balladeer’s Blog continues with this look at Mexican horror figures who haven’t had a truly striking movie in decades. Well, outside of La Llorona, who still gets featured every few years. 
DOCTOR M
The image of the returned Dr. M in his hideous new body playing a mournful tune on a violin to prove his identity to a friend is a scene worthy of the greatest Gothic horror films. Even better would have been a scene of him later playing the same tune over his own grave. 
DESTINATION INNER SPACE (1966) – In a true rarity Scott Brady got to be the less-than- hunky action lead in this film! THE Sheree North and The Green Hornet‘s Wende Wagner were along for the ride in this flick that plays like an episode from Jon Pertwee’s Doctor Who era recast with Americans.
Here at Balladeer’s Blog people who can make me laugh are my favorite kind of people! YT reviewer Snarky Jay, as she calls herself, is entertaining, engaging and hilarious with her reviews. 
THE BIONIC BOY (1977) – This joint production of the Philippines and Hong Kong starred child martial arts champion Johnson Yap from Singapore. It was also released under alternate titles like Superboy, Trionic Warrior and others. 
Sonny wins the Jackpot on the game show because he’s as intelligent as he is skilled at martial arts. When Not Liberace brings on Sonny’s parents, some gangsters watching the show see that his father is really a former Interpol agent who brought down several of their colleagues and has been living in a Witness Protection Program ever since. (Pretty stupid to let your face get televised to millions then.)
FIST OF FEAR, TOUCH OF DEATH (1980) – It’s the review FOURTEEN YEARS in the making! Yep, Fist of Fear, Touch of Death is yet another one of those classically bad films that I had planned on reviewing here on Balladeer’s Blog back in 2010 but it always fell by the wayside. At long last this review can stand alongside my examinations of other Bruceploitation flicks like 
Also stretching out this jumbled mess to feature length are scenes from several 1970s and 1960s Chop Socky movies which are supposed to be footage chronicling Bruce’s ancestor, who is called a samurai even though samurai are Japanese, not Chinese. Other forced connections with Lee pollute this sewage. 
He’s being himself, Adolph Caesar, as if he is doing sports commentary for the Madison Square Garden tournament for network television. The bizarre tone of this film is set within the first five minutes, as Caesar’s play by play of a karate tussle we’re seeing in the ring includes the words “suddenly, he grabs for the eyes and twists violently, ripping them out from the sockets and in a dazzling piece of showmanship tossing them to the crowd.” 
Okay, not THAT Keith Richards. 
THE JAMES BROTHERS OF MISSOURI (1949) – In this 12-chapter Republic serial the Keithmeister General starred as Jesse James with Robert Bice as his brother Frank. Future Lois Lane Noel Neill played Peg Royer, while B-movie staple Gene Roth was along for the ride in a supporting role. 
THE LIVING CHRIST SERIES (1951) – Keith was At His Satanic Majesty’s Request as Judas in this 12-episode television series about incidents in the life of Jesus Christ. Each episode filled a 30-minute time slot. 
TELEVISION SPY (1939) – I’ve been reminiscing recently, what with Balladeer’s Blog’s 14th Anniversary just having passed a few days ago. I was reflecting on my long-ago review of the hilariously bad 1935 movie Murder by Television, which starred Bela Lugosi in a dual role. 
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