Regular readers of Balladeer’s Blog will remember my review of three neglected swashbuckler novels by Alexandre Dumas. (For those three – Georges, Captain Pamphile and La Dame de Monsoreau click HERE )
Regular readers will also recall my look at the way Dumas’ The Corsican Brothers is NOT really a swashbuckler story in the spirit of The Three Musketeers, The Count of Monte Cristo or The Man in the Iron Mask, but because it’s a Dumas tale it often gets adapted AS IF it’s an action-oriented sword and pistol saga.
And that brings us to Dumas’ novel The Black Tulip set in the Netherlands’ city of Haarlem in the 1670s.
When I was a little boy thrilled with the Musketeers, Monte Cristo and Iron Mask I excitedly grabbed The Black Tulip to read, assuming it, too would feature derring-do and swordplay. Much to my disappointment the novel instead dealt with attempts to cultivate a black tulip, the mob-slaying of Netherlands politicians Johann and Cornelius de Witt, romance and the redemption of personal honor.
Using the approach of the adaptors of The Corsican Brothers, let’s MAKE The Black Tulip a rousing swashbuckler just because it’s by Dumas.
THE BLACK TULIP (1850) – I would make it so that “the Black Tulip” was a masked and costumed identity adopted by the novel’s hero Dr Cornelius Van Baerle in order to pursue his crusade to redeem his family honor, tainted from the scandal following the grisly slaying of the de Witts (Insert your own Joyce de Witt joke here). Continue reading
LA DAME DE MONSOREAU (1846) – A collaboration with Auguste Maquet. The title refers to the beautiful and fascinating Countess Diana de Monsoreau and her illicit romance with the novel’s male lead, Louis de Clermont de Bussy d’Amboise. Both characters are real but naturally Dumas and Maquet take the usual poetic license accorded to historical fiction. 
GEORGES (1843) – Published just one year before The Three Musketeers, this novel is not only a rollicking adventure full of action, romance and double-crosses but it deals with racial issues in such a way that you would have thought it would have been adapted for film four or five decades ago. The title character uses his sword to fight slavery!