I figured Halloween Month was a good time to – at long last – resume my reviews of the Son of the Black Mass series of Samurai movies. This time around I will examine the fourth film with legendary Raizo Ichikawa. I will eventually cover the pre-Raizo and post-Raizo SOTBM flicks as well PLUS the original novels that the movies were based on. FOR MY BRIEF OVERVIEW CLICK HERE
SWORD OF SEDUCTION (1964) – We revisit our protagonist Kyoshiro Nemuri – a red-haired Samurai, the offspring of a Japanese woman and the insane Portugese Christian Missionary who raped her. That madman was dabbling in Satanism and Nemuri was conceived during a Black Mass, hence the title of the novels and the subsequent film series.
Once again the story is set in Japan in the 1780s. The persecution of Japanese Christians continues, with the religion officially outlawed and with practitioners being imprisoned and – if they refuse to renounce their belief system – executed by crucifixion.
I always jokingly refer to the opening of Sword of Seduction as “the Casablanca opening.” A fugitive Christian approached a boozing Nemuri Kyoshiro at a tavern and showed him a logo of a cross inside a secret compartment of a piece of jewelry like the Free French ring used in Casablanca. To further the similarities to the Bogart film this Christian soon gets dragged off Ugarte-style for his Christian beliefs and he flees back to Nemuri Kyoshiro in a vain plea for help from our melancholy antihero. Continue reading