Tag Archives: James Woods movies

JOHN CARPENTER’S “VAMPIRES” (1998)

vampiresJOHN CARPENTER’S VAMPIRES (1998) – Halloween Month rolls along with this look at John Carpenter directing James Woods as Vatican-sanctioned vampire hunter Jack Crow. As always, James Woods is like a force of nature. When he’s on the screen he virtually blows away most of the people with whom he shares that screen. 

Years before the movie Van Helsing came this flick about a team of vampire hunters secretly working with the Vatican to safeguard the world from a threat the public believes doesn’t exist. Carpenter made a perfect choice in casting volatile genius Woods as the leader of the vampire slayers. Jack Crow’s hatred of the bloodsuckers and the suffering they cause is like a thing alive.

Jack, his right-hand man Anthony Montoya (Daniel Baldwin) and the rest of their team wipe out a vampire coven in Mexico only to have its elusive leader Jan Valek (Thomas Ian Griffith) come after them for revenge. Continue reading

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EIGHT JAMES WOODS MOVIES

James Woods is like a force of nature. When he’s on the screen he virtually blows away most of the people with whom he shares that screen. His staggering versatility also marks him as one of the few true actors in the industry. Here are some of the movies which harnessed Hurricane Woods:

VideodromeVIDEODROME (1983)

Role: Max Renn, cable television entrepreneur

Comment: Sorry to start with such an obvious choice but I’m amazed that there are still people out there who haven’t seen this movie. David Cronenberg’s patented body horror and other surreal visuals needed a thespian who wouldn’t fade into the woodwork among them. Woods as the intense, sleazy Max Renn fit the bill perfectly.

James proved you don’t need to be twitchy and leering to portray a character who is virtually amoral in his pursuit of money, kinky thrills, Deborah Harry … and the ultimate underground broadcast called Videodrome. Anticipating the Deep Web, there was this magnificent film about how – before the internet came along – it was cable television that was considered a doorway to the forbidden and the depraved.

A cable titillation peddler tries to locate and strike a broadcast deal with a seeming Snuff Show called Videodrome. The sinister parties behind the pirate broadcast are the ultimate villains for the time period, and Cronenberg’s treatment of them shows that SUBTLETY can be more effective than hammering your audience over the head. LONG LIVE THE NEW FLESH!   Continue reading

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