Tag Archives: Captain America & the Falcon

CAPTAIN AMERICA & THE FALCON: 1970s CLASSICS 3 – SOLARR AND DOCTOR FAUSTUS

For Part One of this series click HERE.

ca f 160CAPTAIN AMERICA & THE FALCON Vol 1 #160 (April 1973)

Title: Enter: Solarr (The internal titles often differed from Marvel Comics’ titles on the cover.)

Villain: Solarr

Synopsis: We pick up an unknown number of nights after our previous installment. Captain America and the Falcon are still mopping up the scattered leftover criminals from the Cowled Commander’s organization called Crime Wave.

This is the final group of several masked men armed with machine guns and bazookas who were trying to pull off a robbery. The crooks remark out loud about how much stronger Cap is now, giving him and the Falcon the opportunity to explain to them (and to readers who missed the past few issues) how he now has Spider-Man level strength. It’s thanks to the way the Viper’s custom venom interacted with the super-soldier serum in his metabolism.

NOTE: This much higher level of super strength for Cap will last until Captain America & The Falcon #218 (February 1978).

After Cap and Falc defeat all but two of the masked men, that final duo try to escape by driving off in their gang’s armored vehicle. Our hero’s new strength makes him able to stop the vehicle, tear off the thick steel door and then easily knock out the final two Crime Wave operatives. Continue reading

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CAPTAIN AMERICA & THE FALCON: 1970s CLASSICS 2 – VIPER AND CRIME WAVE

For Part One of this series click HERE.

ca f 157CAPTAIN AMERICA & THE FALCON Vol 1 #157 (January 1973)

Title: Veni, Vidi, Vici … Viper

Villain: The Viper

Synopsis: We pick up an unknown number of days after Captain America has returned to New York City from Miami with the Falcon and S.H.I.E.L.D. Agent Sharon Carter. The Police Commissioner, who is aware that uniformed cop Steve Rogers is really Cap, relayed a message to Steve to meet him in costume at the 13th Police Precinct building in Hell’s Kitchen. 

On his way there, our hero gets ambushed by a trio of armed punks who say that someone called the Cowled Commander ordered them to prevent Cap from reaching his destination. Naturally Cap defeats all three of them.

In a private room at the 13th Precinct the Commissioner informs Captain America that the Cowled Commander is leading a secret group of criminals and crooked cops in an unknown plan. The Commish wants Cap to find out which cops really have gone bad and to clear innocent ones, like Steve Rogers’ antagonistic Sgt Brian Muldoon, who has been suspended pending investigation.

No sooner have the two men worked out their plans than the Commissioner leaves and a bomb explodes, leaving the precinct building a fiery ruin with no sign of Cap. Cut to the office of social worker Sam Wilson, who is secretly the Falcon. Sam and Leila Taylor are having another of their duels of insults, as Leila tries to get a rise out of Sam by implying she finds the Falcon more attractive because he’s a fighter, unlike Sam. Continue reading

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CAPTAIN AMERICA & THE FALCON: 1970s CLASSICS

Superhero-hungry readers have been letting me know they want more Marvel Comics blog posts. With my look at 1970s classics for the Avengers and Spider-Man completed this post starts a look at 70s classics for Captain America & the Falcon. 

ca f 153CAPTAIN AMERICA & THE FALCON Vol 1 #153 (September 1972)

Title: Captain America – Hero or Hoax?

Villains: The Captain America of the 1950s (William Burnside, one of the men whom the U.S. government had assume the role of Captain America while the real Cap was M.I.A. and presumed dead for decades.) and the Bucky of the 1950s (Jack Monroe, one of the young men the government assigned the “Bucky” identity during that same period.)

Synopsis: Captain America and the Falcon, in their secret identities of Steve Rogers and Sam Wilson, are with S.H.I.E.L.D. agent Sharon Carter at the airport. Sam is seeing off Steve and Sharon as they fly to the Bahamas for a long vacation together (By this time Sharon knows that Captain America is really Steve Rogers.)

When the two lovebirds’ plane flies off, Sam Wilson returns to his life as a social worker in Harlem while also fighting crime there in his costumed identity of the Falcon. Because this is before the Falcon got his high-tech wings (that story is coming, too) back then he got around by the way his falconing glove shot a wire like Daredevil’s billy club did, too, so Falcon could swing around the city like DD and Spider-Man. Continue reading

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