Category Archives: Forgotten Television

APPOINTMENT WITH ADVENTURE (1955-1956) FORGOTTEN TELEVISION

APPOINTMENT WITH ADVENTURE (1955-1956) – This forgotten program from the 1950s presented LIVE performances that were filmed and could be aired as reruns in the future. Appointment with Danger ran for 53 half-hour episodes and featured writers like Rod Serling as well as actors like Paul Newman and Gena Rowlands. If you don’t like black & white, some episodes have been colorized.   

STANDOUT EPISODES:

FIVE IN JUDGMENT – Paul Newman and Jack Lord star in this drama about two brothers who take shelter from a storm in a small-town diner filled with other patrons waiting out the dust storm. News reports make the locals suspect that Paul and his brother are a pair of fugitives who just murdered a 16-year-old girl. Patricia Breslin and James Gregory also starred. 

RENDEZVOUS IN PARIS – Polly Bergen and Dane Clark starred in this thriller about the sister of a smuggler who wants her to seduce a diplomat into transporting stolen jewels into the United States in his diplomatic pouch. Continue reading

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FORGOTTEN TELEVISION: WILLIAM SHATNER AS ARCHIE GOODWIN IN NERO WOLFE (1959)

NERO WOLFE (1959) – This was a failed pilot for a potential series about Rex Stout’s iconic detective – the rotund, snobbish but brilliant Nero Wolfe, portrayed by Kurt Kasznar. William Shatner played Archie Goodwin, the affable leg man for his reclusive boss.   

It’s a shame this didn’t launch a series. Kasznar perfectly brought to life the eccentric, persnickety genius who virtually never left his home. And Shatner’s smiling, joking, but tough when he had to be Archie was a joy to watch. Needless to say, William expertly conveyed Goodwin’s eye for the ladies.

The chemistry between Kasznar and Shatner was remarkable, and at just 26 minutes without commercials, this would have been just the right length for each episode without Wolfe’s egotism and impatience with lesser minds wearing out their welcome with viewers.   

Let’s examine the murder mystery in this pilot, subtitled Count the Man Down. Continue reading

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A CHRISTMAS CAROL (ITV 2000): CHRISTMAS CAROL-A-THON 2025 BEGINS

If it’s the Friday after Thanksgiving, then regular readers of Balladeer’s Blog know it’s the day when I kick off my annual Christmas Carol-A-Thon in which I review several versions of A Christmas Carol. I look at movies, television shows, radio shows and books which adapt the Dickens classic. Every year I present new reviews with a few old classics mixed in since newer readers will have missed them.

A CHRISTMAS CAROL (2000) – Christmas Carol-A-Thon 2025 begins with a new review. This ITV production from British television which presented the Scrooge figure as a loan shark coincidentally came out the same year as the Brazilian version which featured Scrooge as a drug dealer.

Neither one was a comedy, but this UK adaptation adds lighter moments here and there. A Christmas Carol runs just under 75 minutes and was made by a creative team that genuinely understands the Carol. You can tell not just from their insertion of some of the more obscure lines from the Dickens novel but by the way that even their necessary departures from Dickens to stay true to their loan shark gimmick still perfectly reflect the novel’s themes.

That is especially true of the way they almost seamlessly incorporate “repeating day” elements like in Groundhog Day and Happy Death Day

To start this review, let’s look at how the production handles the major characters: Continue reading

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ANOTHER TOM TURKEY: THE GYPSY WARRIORS (1978) – BAD MOVIE REVIEW

For Thanksgiving week, here’s another Turkey from the years before Tom Selleck broke through to tv stardom.

THE GYPSY WARRIORS (1978) – Yesterday I reviewed the godawful 1979 telefilm The Chinese Typewriter, an obscure disaster from Stephen J. Cannell starring Tom Selleck and James Whitmore, Jr. Today I’m keeping the theme going with this look at an even earlier telefilm that Cannell wrote and executive-produced for his new darlings Selleck and Whitmore.

Like The Chinese Typewriter, The Gypsy Warriors was a pilot movie for a potential series to star Tom and James. Overall, it’s even worse than the 1979 effort, but at least that one was fun-bad. The Gypsy Warriors spends too much time mired in boring-bad territory, so I consider it much less enjoyable.

This 1978 tv-movie starts out by turning “show, don’t tell” on its ear. As bad as the opening of The Chinese Typewriter was, the opening to this World War Two snoozer is even worse. The beginning devotes FOURTEEN entire minutes of the 76-minute runtime to a portentous announcer merely narrating as we see mismatched footage of hands, arms and the backs of heads plus second unit film of buildings, airplanes and vehicles.

The vehicles don’t fit the 1940 setting and neither does the darkened New York City skyline being passed off as a European port city even though the World Trade Center Towers are visible. That’s a special level of not giving a damn.   

But wait, there’s MORE! Continue reading

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TOM (SELLECK) TURKEY: THE CHINESE TYPEWRITER (1979) – BAD MOVIE REVIEW

In honor of Thanksgiving Week, here’s a genuine turkey from Tom Selleck’s up-and-coming years.

THE CHINESE TYPEWRITER (1979) – It’s tough to remember the time before Tom Selleck was a tv megastar. His looks made him stand out and he had “future success” written all over him. He even showed he had a knack for comedy when he made two appearances on The Rockford Files as the annoyingly perfect and cliche-ridden detective Lance White. (“I’m okay, Jim. It’s just a flesh wound.”)

Television giant Stephen J. Cannell even used Tom’s second Rockford Files episode as a backdoor pilot for a potential series starring Selleck and James Whitmore, Jr. That didn’t work out, but Cannell still had faith in Tom and his unexpected chemistry with Whitmore.

And that brings us to The Chinese Typewriter, a 90-minute (with commercials) pilot movie for a different series to star Selleck and Whitmore. Stephen J. Cannell wrote and executive-produced the telefilm and tv veteran Lou Antonio directed.

With those writing and directing pedigrees behind the project you should have been able to smell several seasons, big money and some Emmy Awards in the offing. 

Instead, it was the most embarrassing production I’ve ever seen either Cannell or Antonio be connected with. The whole thing seems slapped together like the pair were told they had ten minutes to put together ideas for the tv-movie and fifteen minutes to start filming. Continue reading

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FORGOTTEN TELEVISION: MRS. COLUMBO (1979-1980)

MRS. COLUMBO (1979-1980) – During its brief 13-episode run of hour-long episodes, this detective series – produced by Fred Silverman – was also titled Kate the Detective, Kate Callahan and Kate Loves a Mystery. Much Ado About Nothing might have been a more fitting title given all the energy expended trying to make this Kate Mulgrew program a success, but for so little return.

For readers who weren’t fans of the Columbo series starring Peter Falk, let me point out that his police detective character frequently mentioned his wife, who was never seen in any of the episodes. By 1979, Columbo was off the air (though it would be revived in the late 1980s), so Fred Silverman launched Mrs. Columbo, starring the detective’s never-seen wife nosing her way into murder mysteries and solving them herself. 

Silverman launched this series over the objections of Columbo‘s producers Richard Levinson and William Link but had to credit them as “creators” of the concept of Columbo’s wife. Peter Falk had no connection to Mrs. Columbo, either so his character never even made a guest appearance or cameo. Falk referred to the show as “Disgraceful.” Continue reading

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FORGOTTEN TELEVISION: BEARCATS! (1971)

BEARCATS! (1971) – This unique action-adventure series was set in the American West of 1914 and starred Rod Taylor (who also produced) and Dennis Cole as renowned trouble-shooters who commanded huge fees for their services. “If you can put a price on it, you don’t need them badly enough” was the program’s tagline.

This short-lived series cleverly used the mix of past and present in America’s southwestern states in that time period as cars and biplanes began sharing the scenery with horses and carriages. Part Wild, Wild West and part Diesel-Punk, the stories featured the two leads clashing with villains who often used primitive tanks and other “futuristic” devices.

The Bearcats named themselves after the Stutz Bearcat automobile they rode around in.

PILOT MOVIE: POWDERKEG (April 16th) – Mercenary trouble-shooters Hank Brackett (Rod Taylor) and Johnny Reach (Dennis Cole) are hired by a railroad tycoon to rescue 73 hostages being held aboard a moving train. Their captors are led by a Mexican bandit chief who demands his brother’s release from prison in exchange for the hostages. Guest stars were Michael Ansara, Fernando Lamas, Luciana Paluzzi and Tisha Sterling. 

EPISODE ONE: THE DEVIL WEARS ARMOR (September 16th) – The Bearcats are hired to stop a gang of bank robbers who travel from town to town using a stolen 1914 prototype tank to carry out their thefts. John Vernon, Kathleen Lloyd (as a nun), Sherry Bain and Paul Koslo guest starred. Continue reading

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DANGEROUS ASSIGNMENT (1952) FORGOTTEN TELEVISION

DANGEROUS ASSIGNMENT (1952) – Brian Donlevy, famous as Professor Quatermass in a pair of movies, starred as secret agent Steve Mitchell. He received his missions from a man called “The Commissioner” (Herb Butterfield).

Dangerous Assignment had started as a radio series in 1949 with Donlevy already in the lead role. Thirty-nine 30-minute episodes were produced. 

STANDOUT EPISODES:

THE SUBMARINE STORY – The Commissioner sends agent Steve Mitchell to the South China Sea in the undercover identity of a rogue submarine commander called Captain Jaeger. Mitchell’s assignment is to infiltrate and shut down a gun running operation in the area. Paul Frees and Robert Easton guest-starred.

THE MEMORY CHAIN – Steve’s latest assignment finds him in Munich, where he is to collar a spy ring passing U.S. nuclear secrets through West Germany to East Germany and then to the Soviet Union. Jeanne Bates and Lynne Roberts were among the supporting cast members. Continue reading

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THE OMEGA FACTOR (1979) FORGOTTEN TELEVISION

THE OMEGA FACTOR (1979) – This eerie BBC series combined the best elements of Doomwatch with Department S and injected supernatural scares that anticipated the much later series Twin Peaks and The X Files.

James Hazeldine, remembered as the snarky butler from The Musgrave Ritual episode of Jeremy Brett’s Sherlock Holmes, starred as Tom Crane. Tom was a reporter whose untapped psychic abilities bring him into conflict with an Aleister Crowleyesque villain named Edward Drexel (Cyril Luckham) and an organization called Omega.

Crane’s wife is killed through Drexel’s machinations, motivating him to give up journalism and join Department 7, a secret British government agency which researches the supernatural and the paranormal.

Louise Jameson, famous from Tenko and as Leela on Doctor Who, is Dr. Anne Reynolds, a physicist colleague of Tom Crane’s. She was a friend of Tom’s late wife and through her he discovers that he has been under Department 7 surveillance since he was a boy because of his nascent psychic powers. Continue reading

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THE SCARECROW (1972) FORGOTTEN TELEVISION HALLOWEEN TALE

THE SCARECROW (1972) – Gene Wilder, Blythe Danner, Nina Foch, Pete Duel and Will Geer starred in this Hollywood Television Theatre production that first aired January 10th, 1972. Long time readers of Balladeer’s Blog may recall my remarks on previous Halloweens about how underused I feel scarecrows still are in Halloween movies. 

The Scarecrow, from the 1908 play by Percy MacKaye, was based on Feathertop aka Lord Feathertop, the 1852 short story by Nathaniel Hawthorne. The tale deals with a witch who brings a scarecrow to life to do her bidding. In the past I’ve reviewed silent film versions of Feathertop and pointed to it as an overlooked scarecrow tale.   

Percy MacKaye stretched the story out and altered some of the themes, so The Scarecrow is an adaptation of Feathertop, not a faithful dramatization of it. Gene Wilder portrays the scarecrow.

Nina Foch plays the witch Goody Rickby (Mother Rigby in the short story). She despises Will Geer’s character, the supposedly “respectable” Justice Gilead Merton (Hawthorne’s Judge Gookin).

Twenty years earlier, Goody Rickby had a fling with Justice Merton and even bore his son, who died as an infant. (In Feathertop the affair and child outside of marriage are hinted at rather than stated outright.) Continue reading

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