FLORIS (1969 and 1975) – Actor Rutger Hauer and director Paul Verhoeven first worked together for this adventure series set during the very early 1500s. The program aired on Netherlands television in 1969, then was remade – again with Hauer in the swashbuckling title role – in 1975 for German television and ran for even more episodes than the original series.
Rutger starred as the fictional Floris van Rozemondt, the knightly lord of his eponymous castle. Ever the adventurer, Floris had spent ten years as a mercenary, a privateer and a sea trader, acquiring quite a fortune from the latter two pursuits.
Around the year 1502, word finally caught up with our wandering hero that his father and two older brothers had died. Floris returned home, accompanied by his adventuring sidekick Sindala (Jos Bergman), an Indian Fakir. (Floris and the Fakir was originally going to be the title of the series.)
Upon his arrival, Floris discovered that Castle Rozemondt had been unjustly taken from him and occupied by Maarten van Rossum (Hans Culeman) – a subordinate of the Duke of Guelders. The Guelders Wars, centering on efforts to bring the Netherlands together as one nation, had broken out during Floris’ absence and van Rossum was on the opposing side of Floris’ family.
Floris and Sindala fought their way out of the hands of the enemy and wound up allied with Wolter van Oldenstein and his men at Castle Oldenstein. I often wonder if the 1991 film Robin Hood, Prince of Thieves took partial inspiration from the premise of Floris, with a returning nobleman fighting oppression alongside a nonwhite comrade from his overseas adventures. Continue reading
Regular readers of Balladeer’s Blog may remember that I’m a silent movie geek, and have reviewed some of them in the past. Today, I decided to post this beautiful silent era movie poster for Douglas Fairbanks’ forerunner of modern-day special effects blockbusters – his 1924 version of The Thief of Bagdad.
THE SEA HAWK (1915) – In the late 16th Century, English gentleman Sir Oliver Tressilian is betrayed into galley slavery by his jealous half-brother Lionel. After a time, the galley on which Oliver has been condemned to serve as an oarsman is raided by Barbary Corsairs in the Mediterranean Sea. 
Alexandre Dumas pere is synonymous with swashbuckling historical adventures like The Three Musketeers, The Count of Monte Cristo and The Man in the Iron Mask.
GEORGES (1843) – Published just one year before The Three Musketeers, this novel is not only a rollicking adventure full of action, romance and double-crosses but it deals with racial issues in such a way that you would have thought it would have been adapted for film four or five decades ago. The title character uses his sword to fight slavery! 
Regular readers of Balladeer’s Blog will remember my review of three neglected swashbuckler novels by Alexandre Dumas. (For those three – Georges, Captain Pamphile and La Dame de Monsoreau click 
When I was a little boy thrilled with the Musketeers, Monte Cristo and Iron Mask I excitedly grabbed The Black Tulip to read, assuming it, too would feature derring-do and swordplay. Much to my disappointment the novel instead dealt with attempts to cultivate a black tulip, the mob-slaying of Netherlands politicians Johann and Cornelius de Witt, romance and the redemption of personal honor. 
LA DAME DE MONSOREAU (1846) – A collaboration with Auguste Maquet. The title refers to the beautiful and fascinating Countess Diana de Monsoreau and her illicit romance with the novel’s male lead, Louis de Clermont de Bussy d’Amboise. Both characters are real but naturally Dumas and Maquet take the usual poetic license accorded to historical fiction. 
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