Tag Archives: John Carter of Mars

JOHN CARTER VS THE AIR-PIRATES

This weekend’s light-hearted, escapist superhero blog post takes a look at the early issues of Marvel Comics’ adaptation of Edgar Rice Burroughs’ 1911 literary creation John Carter of Mars.

jcm 1JOHN CARTER, WARLORD OF MARS Vol 1 #1 (June 1977)

Title: Air-Pirates of Mars, Chapter One

Villains: The Air-Pirates of Mars

Comment: For my fellow geeks for Burroughs’ John Carter novels, let me point out that this entire Marvel series was set during the 9-year gap between John Carter marrying Dejah Thoris and the malfunctioning of the Atmosphere Plant in the final part of the first book, A Princess of Mars.

When John’s wife Dejah gets abducted by the Air-Pirates of Mars, he sets out to find her and free her from their clutches. Unfortunately, he falls into the hands of the adversarial Warhoon tribe of Green Martians. Naturally, Marvel kept all the swords, aircraft and radium pistols from the novels. Continue reading

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GULLIVAR JONES ON MARS (1905) – ANCIENT SCIENCE FICTION

Gulliver Jones on MarsGULLIVAR JONES ON MARS (1905) – Written by Edwin L Arnold, this novel was originally published under the title Lieut. Gullivar Jones: His Vacation. Years later, with the spelling of the lead character’s first name altered, it was published as Gulliver of Mars. Over the years it was revived under a variety of titles. I’m using the title that I prefer – Gullivar Jones On Mars.   

This will be a simultaneous review and a running tally of the revisions I would have made to the story. This very oddly written novel BEGS to be rewritten because of the long line of self-defeating creative choices that Edwin L Arnold made throughout the tale.

Gullivar Jones black and whiteIf Arnold had written this story decades later it could have been said that he was intentionally subverting the tropes of heroic sword & science epics. Unfortunately, this novel instead seems to be the victim of ineptitude on the author’s part.

Like when you’re watching a bad movie, a reader’s jaw drops at the way Arnold never failed to let a brilliant concept die on the vine, or the way he repeatedly sets up potentially action-packed or highly dramatic story developments only to let them culminate in unsatisfying cul de sacs or peter out into lame anticlimax. There’s almost a perverse genius to the way that the narrative constantly works against itself. Continue reading

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