BLUE LIGHT (1966) – Goulet … Robert Goulet. Had to be said. The forgotten television series Blue Light ran 17 half-hour episodes from January to May of 1966 and starred singer Robert Goulet of all people. Despite the odd casting, this series was actually a more sophisticated and grittier spy program than television had yet seen.
Blue Light was condemned for its excessive violence and for depicting its main character ruthlessly knifing enemies to death to prevent them from exposing him as a spy. Viewers were apparently too naive to deal with that.
The story is set during World War Two. Robert Goulet plays American reporter David March, one of eighteen U.S. spies who have infiltrated Nazi Germany by posing as Americans so taken with Nazi philosophy that before American involvement in the war they renounced their U.S. citizenship to become citizens of the Reich.
March and the other spies have become hated around the world for this, especially March, who has become a propaganda broadcaster for Hitler’s regime. This lets him hobnob with Nazi authorities while covertly relaying intelligence to enemies of the Third Reich and carrying out sabotage missions. Continue reading
THE YOUNG REBELS (1970-1971) – With the 4th of July approaching, here’s another seasonal post. Harve Bennett himself was involved with this series that ran for 15 hour-long episodes. A group of young men and one young woman help fight for American Independence in 1777 Pennsylvania. 
THE DEVLIN CONNECTION (1982) – HAPPY FATHER’S DAY! Balladeer’s Blog marks the occasion with a look at this short-lived detective series starring Rock Hudson and Jack Scalia as father and son investigators. 
PARIS (1979-1980) – This 13-episode cop show was created by the one and only Steven Bochco. James Earl Jones took his first starring role in a television series as Woody Paris of the Los Angeles Police.
THE EPISODES:
THE WITNESS (1960-1961) – This David Susskind production offered a nice change of pace in a crime drama. It wasn’t a standard police story nor was it a courtroom drama. Instead, it featured a revolving committee of real-life lawyers cross-examining actors (Telly Savalas most frequently) who portrayed real-life criminals, their victims and their accomplices. 
THE EPISODES: 
FRONTIER CIRCUS (1961-1962) – The traveling Thompson & Travis Circus roams the 1880s American West performing for audiences and having adventures. 
DEPTHS OF FEAR (1st episode) – Ben Travis signs a formerly great Lion Tamer (Aldo Ray) who has become a town drunk. Ben coaches the man back to performing status despite the attempts to derail him made by a jealous bully. Guest stars Vito Scotti, James Gregory and Bethel Leslie.
EVERGLADES aka Lincoln Vail of the Everglades (1961-1962) – This short-lived syndicated series stood out from other law-enforcement programs of its era by not being set in either a big city or the American West. Constable Lincoln Vail of the Everglades County Patrol policed the Florida Everglades in his airboat, giving this series its signature visual appeal. 
THE GREAT ADVENTURE (1963-1964) – This hour-long series presented dramatizations of well-known and obscure events from United States history. 
THE HUNLEY – In February of 1864 the Confederacy launched the experimental submarine Hunley, named after its inventor Horace Lawson Hunley. Two previous crews had drowned on test runs but on its final voyage the eight-man sub used a torpedo to sink the Union Navy’s warship the USS Housatonic. The Hunley was also destroyed by the blast and the crew killed. 
IT’S A BIRD … IT’S A PLANE … IT’S SUPERMAN! (1975) – It’s the bomb that asks the musical question “How many Lembecks can you handle?” Even the most die-hard Superman fans would have a hard time forcing themselves to watch all of this made for tv movie version of the 1966 stage musical. 
Despite music by Charles Strouse, lyrics by Lee Adams and script by David Newman & Robert Benton this Superman musical was Broadway’s biggest flop in history as of the 1960s. It’s no great shakes in its televised form, either. 
TOGETHER WE STAND (1986-1987) – With the new attention being paid to Ke Huy Quan/ Short Round in recent years, I decided to take a look at the sitcom he co-starred in with Elliott Gould, Dee Wallace Stone and others. 
The first episode unrealistically dealt with a social worker leaning on the Randalls to adopt two more children, Sam (Quan) and an African American girl named Sally (Natasha Bobo). But hey, My Mother the Car and The Flying Nun proved long ago that realism isn’t necessary. 
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