In this installment of Balladeer’s Blog’s recurring Forgotten Television segment I continue my look at Reel Wild Cinema (1996-1997). This time around it’s Episodes 8-10.
THE RUNDOWN FOR EPISODE EIGHT (June 9th, 1996)
Title: Kids in Peril
Truncated Films Shown:
UNTAMED FURY (1947) – A very early hicksploitation movie. This black & white movie’s stock footage is set in the swamps of the Deep South but everything else takes place on the usual cheap sets we all know and love from Producers Releasing Corporation.
As children, two swamp kids develop a rivalry over a pretty gal and over which one of them is “best” at getting dragged behind their fathers’ boats to lure out alligators for killing. Dubious honor to be fighting for. At any rate, the boy so good that he earns the nickname Gator Bait (yes, like the 1970s Claudia Jennings flick) goes off to college.
When he comes back years later, Gator Bait wants to do improvements to the swamplands to provide a better way of life for the locals. His boyhood rival in luring out alligators is opposed to the idea, as are a few other folks and conflict results. E.G. Marshall’s film debut. I’m NOT joking. Continue reading
Balladeer’s Blog’s Forgotten Television feature previously provided 
GODMONSTER OF INDIAN FLATS (1973) – From the maker of Alabama’s Ghost comes this tale of toxic gasses from beneath the Earth spawning a mutated sheep monster which walks erect and looks a little like Mr. Snuffleupagas and Joe Camel. The video cover looks nothing like the creature.
CURSE OF THE CRYING WOMAN (1963) – The Mexican horror film about La Llorona that got U.S. distribution and half-assed dubbing via K. Gordon Murray himself. I’ve reviewed this film in detail previously so for a quick recap for newbies to this flick it’s the old ghost story about an undead woman who sheds tears from her empty eye sockets while making with withering cries. 
THE NAKED WITCH (1961) – For starters, this is the Larry Buchanan film, NOT the Andy Milligan Naked Witch movie from a different year. As usual for Buchanan this was filmed in Texas, and is yet another variation of the tale about a witch who gets put to death but returns a century or more later to slay all the descendants of her killers. 
REEL WILD CINEMA (1996-1997) – This program is still beloved by us fans of Psychotronic movies and the So Bad It’s Good subculture. Reel Wild Cinema helped feed America’s growing appetite for bizarrely awful cinema, an appetite most recently whetted back then by Joel Hodgson’s Mystery Science Theater 3000. 
Similar to Jonathan Ross’ Incredibly Strange Film Show, Reel Wild Cinema also aired interviews with many cult figures from fringe cinema as well as campy trailers for vintage Golden Turkeys. Also like the Jonathan Ross show, Reel Wild Cinema featured an animated opening accompanied by catchy theme music. 
ALL THAT GLITTERS (1977) – With the syndicated late-night soap opera satire Mary Hartman, Mary Hartman becoming a cultural phenomenon in the 1970s, Norman Lear launched this oddball, self-consciously “adult” program which added a touch of parallel world sci-fi stories to the soapiness. 
Want to see women running the business world and men serving as secretaries while getting ogled and sexually harassed? This show’s got it! Want to see a tuxedo-clad groom carrying flowers and walking down the aisle toward his intended bride? This show’s got it! 
It is such a waste that so few installments of National Educational Television Playhouse are available despite video copies still being in their archives. For six years, N.E.T. Playhouse offered up some of the most interesting, profound and innovative productions from around the world. That 1966-1972 run puts what passes for educational television today to shame. 
HAMILE (January 15th, 1970) – A Ghanaian adaptation of Hamlet written by that nation’s Joe C. De Graft and performed by actors from the National Theatre of Ghana. 
YESTERDAY THE CHILDREN WERE DANCING (February 26th, 1970) – A 90-minute CBC drama about the 1964 terrorist attacks in Canada launched by Quebec Separatists and plans for further attacks during the federal elections. 
THE CAPTAIN AND TENNILLE (1976-1977) – Balladeer’s Blog’s recurring Forgotten Television posts look at the variety show hosted by the musical duo called the Captain and Tennille. The pair were married in real life and their full names were Toni Tennille and Daryl Dragon. Since “Captain Dragon” sounds like a superhero, the recording partners just went by the Captain and Tennille. 
NANCY (1970-1971) – With I Dream of Jeannie having finished its final season, creator Sidney Sheldon launched his new series Nancy, about the 21-year-old daughter of the incumbent U.S. President finding love with a small-town Iowa veterinarian. Would it complete a sitcom Hat Trick for Sidney and be as successful as his previous Patty Duke Show and the aforementioned I Dream of Jeannie? Not a chance. 
Renne Jarrett starred as First Daughter Nancy Smith, a pretty young lady living in Center City, IA. Nancy stayed with her guardian and chaperone Abby Townsend, played by the one and only Celeste Holm. 
A MAN CALLED SLOANE (1979) – Robert Conrad, often called the ultimate man’s man, was famous for several television series over the decades, especially The Wild Wild West and Black Sheep Squadron. Here is a look at his modern-day spy series from 1979, the last Quinn Martin Production. 
Sultry Michelle Carey, daughter of MacDonald Carey and a veteran of many Wild Wild West episodes herself, provided the voice of EFFIE, the supercomputer at UNIT headquarters. Dan O’Herlihy played UNIT’s director. 
HAWKINS (1973-1974) – Before Matlock, there was Hawkins! The iconic Jimmy Stewart starred as Billy Jim Hawkins, an aw-shucks country lawyer who was really shrewd and calculating behind his stammering, Good Ol’ Boy facade. 
Hawkins rotated with Shaft, which starred Richard Roundtree reprising his big screen role as private detective John Shaft (but a John Shaft who couldn’t be as violent or profane as he was in the movies, of course).
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