Category Archives: A CHRISTMAS CAROL

CHRISTMAS CAROL-A-THON 2011: THREE OPERA VERSIONS OF A CHRISTMAS CAROL

Time for another post in Balladeer’s Blog’s annual orgy of entries on various versions of THE Christmas tale. The Charles Dickens classic has a certain  unquenchable charm that ensures it will continue to be adapted for at least another few hundred years. Here’s an encore post from last Christmas season for my blogging buddy Didi Wright and her whippet George, the co-authors of the blog My Little Dog. Didi’s daughter Brianna hopes to be an opera singer someday so hopefully Brianna will enjoy this post, too.:

This time I’ll look at three opera versions of the classic Dickens tale. I’ll start off with the most lauded one- the 1982 Granada TV broadcast of the Royal Opera House’s staging of the opera by THE Thea Musgrave. Musgrave has also done the libretto and music for the celebrated operas Mary, Queen Of Scots … Harriet, The Woman Called Moses … Simon Bolivar  and Continue reading

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CHRISTMAS CAROL-A-THON 2011: SKINFLINT (1979)

Flint (Hoyt Axton) and his lost love (Barbara Mandrell)

Flint (Hoyt Axton) and his lost love (Barbara Mandrell)

Time for another post in my annual orgy of entries on various versions of THE Christmas tale. The Charles Dickens classic has a certain unquenchable charm that ensures it will continue to be adapted for at least another few hundred years.  

SKINFLINT (1979) – Skinflint is known to me and my fellow Carol-Geeks as “the country- western version”. This made-for- tv musical is so chock- full of stars that the Country Music Hall of Fame actually offers screenings of this film every year between Thanksgiving and Christmas. I’m serious. My late mother was, unfortunately for me when I was a teenager, a country music fan so, strange as it may seem, I actually know who the singers in this flick are. This version of the Carol is set in fictional Flint City, Tennessee, a town dominated by the financial pull of banker Cyrus Flint, played by Hoyt Axton.

Naturally Cyrus Flint is the Scrooge stand- in and Axton is supported by plenty of other Continue reading

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CHRISTMAS CAROL-A-THON 2011: CHRISTMAS IS COMIN’ UPTOWN (1979)

Time for another post in my annual orgy of entries on various versions of THE Christmas tale. The Charles Dickens classic has a certain unquenchable charm that ensures it will continue to be adapted for at least another few hundred years.  

The 1979 Broadway musical Christmas Is Comin’ Uptown is one of the versions of A Christmas Carol that often get pigeon-holed as “African American versions” but, along with John Grin’s Christmas and Ms Scrooge this tuneful adaptation transcends race and celebrates the universality of the Carol’s message. The musical continues to tour the USA to this very day and a television broadcast of a few scenes and songs from the work aired when I was a teenager and was already obsessed with variations of the story.

Gregory Hines played Scrooge in the original Broadway cast. The Scrooge in this adaptation was an Continue reading

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CHRISTMAS CAROL-A-THON 2011: 1977 BBC VERSION

Time once again for an under-the-radar version of A Christmas Carol. This time it’s the 1977 BBC TV version starring Michael Hordern as Scrooge. Hordern was better known to some people as the voice of Paddington Bear way back when. There’s a lot of charm to this 58 minute version even though it’s got 70′s sitcom-style lighting and special effects that even the makers of the original Dr Who show could have looked down their noses at. The dialogue is drawn directly from Dickens so it flows nicely and the segment with Belle is Continue reading

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CHRISTMAS CAROL-A-THON 2011 BEGINS

TIME ONCE AGAIN FOR MY ANNUAL CELEBRATION OF THE ENORMOUS NUMBER OF VERSIONS OF A CHRISTMAS CAROL THAT ARE OUT THERE. I’LL BE PEPPERING IN SEVERAL THAT I DIDN’T HAVE TIME TO INCLUDE LAST YEAR (I have about five dozen different versions)BUT FIRST A REPOST OF MY FAVORITE VERSION, BAR NONE:

I’ll come right out and admit it – I’ve always been a sucker for any version of A Christmas Carol. Trouble is, most adaptations distort the story or are produced by people who don’t seem to “get” the story or treat it like it’s a children’s tale. Anyone who thinks that needs to read the novelette again. My love of mythology is partly why I love the story so much. A Christmas Carol is the closest thing to an Epic Myth the Industrial Age has produced. The language Dickens uses is very close to prose poetry but precious few adaptations of the story preserve enough of it.

That brings us to Patrick Stewart‘s one-man stage presentation of A Christmas Carol. (NOT the fairly lame made-for-tv movie he did on TNT) Stewart does all the voices and pretty much all the sound effects and his presentation is magnificent. It’s NOT a book-on-tape, it’s  Patrick Stewart acting out the story by himself, like he did on Broadway in the 1980’s. Stewart clearly “gets” the story and includes all the crucial parts that many adaptations omit, and since he’s taking the lines faithfully from the book, it’s also made clear, like in the book ,that MARLEY IS NOT JEWISH, he’s referred to in the book as a Christian, just like Scrooge is. If people Continue reading

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A HALLOWEEN MEXI-MONSTER BESTIARY

Brainiac

Brainiac

Mexican horror films of the 1950’s and 1960’s deserve to be as well known as the Hollywood horror films from the 30’s and 40’s. Just as Universal Studios churned out a series of memorable movies featuring the likes of Dracula, Frankenstein, the Wolfman and the Mummy, studios from south of the border went on to give the world equally outstanding creatures.

These horror films boasted Universal- style production values and beautiful black & white cinematography combined with uniquely Mexican twists on horror themes as well as more sensuality and lurid violence than Hollywood had dared to present. This list aims to introduce Mexi- Monsters to younger viewers who may not be familiar with them. I’m omitting generic monsters like the various vampires from Mexican horror films (including Fabian Forte, Cristina Ferrare and a descendant of Nostradamus) and the werewolf wrapped in mummy bandages from Face of the Screaming Werewolf.  

Brainiac poster

The Original Poster

7. THE BRAINIAC (1962) – Many may be outraged at my inclusion of this film since it makes many lists (including mine) of the most laughably campy horror films ever made. I would argue that its thoroughly latin theme and brilliantly conceived (albeit cheesily presented) monster earn it a spot on this list.

There’s also the fact that the title creature (seen in the photo above left) symbolizes the Mexican chillers of its period as completely as Karloff’s Frankenstein Monster with the neck bolts and squared head represents the Universal monster movies of earlier decades. The Brainiac is a sorceror who was burned at the stake in the 1600’s and who transferred his spirit into a passing comet as he died. Continue reading

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A VERY BLAXPLOITATION HALLOWEEN

Blackenstein

Blackenstein

When it comes to the tasteless but enjoyably bad blaxploitation horror films of the 1970’s it seems like the lion’s share of the attention always goes to Blacula and its sequel, Scream, Blacula, Scream with a little attention left over for Ganja and Hess, since it features the African American hero from the original Night of the Living Dead in one of his few screen appearances.

In honor of the Halloween season Balladeer’s Blog will take a look at some of the neglected blaxploitation horror movies, all of which deserve to have a larger audience than just me and my fellow bad movie geeks. It’s in the spirit of my recent list of The Eleven Most Neglected Bad Movie  Classics For Halloween, but for this list I’ll go in descending order:

Blackenstein movie poster1. BLACKENSTEIN (1973) – This was one of the first flicks to try and cash in on the coattails of the surprise hit Blacula. A mad scientist named Dr Stein is conducting unspeakable experiments in human genetics. A Vietnam vet who has lost both arms and both legs in the war is Dr Stein’s next guinea pig. He restores the man’s limbs but Continue reading

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HALLOWEEN OPERA: TALES OF HOFFMANN BY OFFENBACH

Tales of Hoffmann picYes, as if I wasn’t boring enough already I’m also into opera! Now, I know traditionally “the” Halloween Opera has always been Don Giovanni , but I’ve never bought into that notion since there’s really only one scene in the whole opera that qualifies as spooky and supernatural. At this time of year I prefer Offenbach’s Tales Of Hoffmann. Not only is it full of appropriately eerie and menacing elements, but it’s also the perfect opera for you to share with someone who’s seeing their very first opera. One of the reasons for that is that Continue reading

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CHRISTMAS SEASON DIVERSION: STILL MORE LESSER KNOWN VERSIONS OF A CHRISTMAS CAROL

This is now my sixth installment of lesser-known versions of Dickens’ A Christmas Carol. First up is the 1995 Read-Along Christmas Carol. It’s just 50 minutes long and is ideal for youngsters learning how to read or for the hearing-impaired to watch. The video features a series of still Continue reading

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CHRISTMAS SEASON DIVERSION: THREE OPERA VERSIONS OF A CHRISTMAS CAROL

In my fifth installment of lesser-known versions of A Christmas Carol I’ll look at three opera versions of the classic Dickens tale. I’ll start off with the most lauded one- the 1982 Granada TV broadcast of the Royal Opera House’s staging of the opera by THE Thea Musgrave. Musgrave has also done the libretto and music for the celebrated operas Mary, Queen Of Scots … Harriet, The Woman Called Moses … Simon Bolivar  and most recently Pontalba in 2003. The opera is fairly faithful with the most significant changes obviously being imposed by the format. For efficiency’s sake the only scene at nephew Fred’s home is at the very end so things can close on a very festive note. Every performer except the Continue reading

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