It is such a waste that so few installments of National Educational Television Playhouse are available despite video copies still being in their archives. For six years, N.E.T. Playhouse offered up some of the most interesting, profound and innovative productions from around the world. That 1966-1972 run puts what passes for educational television today to shame.
HAMILE (January 15th, 1970) – A Ghanaian adaptation of Hamlet written by that nation’s Joe C. De Graft and performed by actors from the National Theatre of Ghana.
De Graft sets the action in Tongo, changes the names Hamlet and Laertes to Hamile and Laitu, plus he adapts swordplay into traditional Ghanaian wrestling in this 2-hour production.
YESTERDAY THE CHILDREN WERE DANCING (February 26th, 1970) – A 90-minute CBC drama about the 1964 terrorist attacks in Canada launched by Quebec Separatists and plans for further attacks during the federal elections.
The French-Canadien Gravel family falls apart over divisions on the entire issue of independence for Quebec. Adapted from the play by Gratien Gelinas. Continue reading
LORRAINE HANSBURY: TO BE YOUNG, GIFTED AND BLACK (January 20th) – A 90-minute biography of African-American playwright Lorraine Hansbury, whose works include A Raisin in the Sun. Her husband Robert Nemiroff wrote this drama which includes performances of scenes from her plays. Ruby Dee, Roy Scheider, Blythe Danner, Barbara Barrie and Claudia McNeil were among the cast members. 
AN IDEAL HUSBAND (January 14th) – Adaptation of the play by Oscar Wilde. THE Jeremy Brett starred as the good guy, Viscount Arthur Goring, who takes action when the brother of his lady love Mabel Chiltern (Susan Hampshire) is being blackmailed by a conniving socialite (Margaret Leighton). Originally aired in England in 1969. 90 minutes.
THOUGHTS OF THE ARTIST ON LEAVING THE SIXTIES (January 1st) – Assorted figures performed, did selected readings and offered perspectives on moving into a new decade. Among those appearing: Christopher Walken, Jessica Tandy, Fred Rogers, George Carlin and Dick Gregory. An entire version of Edward Albee’s short play The Sandbox was enacted, as well. Approximately 60 minutes for the bulk of the show and 30 minutes for The Sandbox.
HAMILE (January 15th) – A Ghanaian adaptation of Hamlet written by that nation’s Joe C. De Graft and performed by actors from the National Theatre of Ghana. De Graft sets the action in Tongo, changes the names Hamlet and Laertes to Hamile and Laitu, plus he adapts swordplay into traditional Ghanaian wrestling in this 2-hour production.
THE TIN WHISTLE (January 10th) – Barbara Bosson starred in this 80-minute adaptation of Richard S. Burdick’s play about 12-year-old Martin Palmer, who channels his newly discovered powers of witchcraft through his tin whistle. Martin targets two teachers who have tried to discipline him. A 10-minute short film, Eugene Atget, which looks at the man’s Belle Epoque photos, padded the runtime to 90 minutes.
SILENT SONG (January 24th) – Filmed version of Hugh Leonard and Frank O’Connor’s play with only partial dialogue and the rest in mime. In a trappist monastery, the monks honor their vows of silence but indulge in vices like drinking and betting on horse races. The 75-minute effort starred Tony Selby, Milo O’Shea and Jack MacGowran.
AUTO STOP (January 5th) – Henry (David Hemmings) is told by Federika, the older woman he is pursuing, that he needs to gain more experience in the world before she’ll entertain the thought of a romance with him. Henry takes her seriously and roams around Europe, loving and leaving women his own age, encountering a Neo-Nazi and attending a La Dolce Vita party in Rome. N.E.T. Playhouse paired this 75-minute film with the 8-minute cartoon short Tamer of Wild Horses from Yugoslavia’s Zagred Animation.
A PASSAGE TO INDIA (January 26th) – Long before the theatrical film came this teleplay that was first broadcast on the BBC’s Play of the Month in November, 1965. The cast of this 90-minute adaptation of the E.M. Forster novel included Sybil Thorndike, Virginia McKenna, Cyril Cusack and Zia Mohyeddin. Drama involving life and race relations in 1920s India under the Raj.