Blaxploitation is as misunderstood and unfairly dismissed a sub-genre as Spaghetti Westerns are. It’s not all pimps, pushers and prostitutes. There were also street-level heroes as colorful as any in the old Pulps. In addition some of the most watchable blaxploitation flicks featured cathartic scenes of African-Americans blowing away Democrats of the Ku Klux Klan and genocidal neo-Nazis plus – decades before Django Unchained – a few Westerns showed former slaves turned gunslingers shooting down actual slave-owners and slave-traders.
Balladeer’s Blog has examined several categories:
BLAXPLOITATION FILMS THAT DESERVE A CLOSER LOOK
Comment: From Pulpish action epics to political satire to black biker films to tastelessly explicit looks at the hardcore ugliness of the Atlantic slave trade, these films boldly went where no mainstream movies of the time period dared to go.
Examples: Superfly, a neglected gangster classic … The Spook Who Sat by the Door, about a successful armed black uprising … The Brotherhood of Death, featuring black Vietnam vets fighting the Klan … Mister Deathman, with a black James Bond in Apartheid-era South Africa.
Top Film On List: Darktown Strutters, an in-your-face satire on race, politics and consumerism presented in a style that seems equal parts Richard Pryor and South Park.
FOR FULL LIST: https://glitternight.com/2012/03/10/eight-blaxploitation-films-that-deserve-a-closer-look/
BLAXPLOITATION HORROR FILMS Continue reading
Jerry Buss: He was no Arthur Marx.
Today legendary Lakers owner Jerry Buss passed away at age 80. Balladeer’s Blog will save the in-depth examinations of his career to those who are far better qualified to do it. Instead I will offer a fond farewell to one of the most beloved owners in professional sports in my usual oddball way: with a look at the one and only film turned out by Jerry Buss Productions.
That film was 1974’s Black Eye, one of the countless blaxploitation flicks of the 1970s. Fred “The Hammer” Williamson, the action hero of all manner of the decade’s blaxploitationers, from gangster dramas to westerns, starred in Black Eye as (what else) a private eye. Williamson portrayed Shep Stone, an L.A. detective trying to solve a series of murders centered around an elaborate walking stick formerly owned by a legendary silent film star. A prostitute stole the walking stick and wound up dead in an incident that served as the catalyst for Shep Stone’s involvement in Continue reading
The upcoming release of Quentin Tarantino’s reboot of the seminal Spaghetti Western saga Django wreaked some minor havoc with my recent Frontierado holiday posts. I had been working on a draft for a review of the original Django and its central figure contrasted with other EuroWestern heroes like Charles Bronson’s Harmonica, Gianni Garko’s Sartana, Terence Hill’s Trinity, Tony Anthony’s Stranger and of course Clint Eastwood’s Man With No Name.
I also had a draft in progress for a review of two blaxploitation westerns from the 1970s which featured a former slave turned gunslinger taking on former Confederates in the Wild West.
A few days before I was to publish those reviews the airwaves and the web started crawling with what seemed like ’round the clock trailers for Django Unchained, Tarantino’s reboot of the story, this time with the title figure an African American who goes from slavery to a career as a bounty hunter gunning down southern rednecks in the Wild West.
Instantly my two reviews, right down to AN ACTUAL JOKE I WROTE THAT, ASTONISHINGLY ENOUGH, SHOWS UP IN THE TRAILER FOR DJANGO UNCHAINED, seemed like Continue reading