GREAT GHOST TALES (1961) – This half-hour series featured dramatizations of horror stories from Algernon Blackwood, Saki, Edgar Allan Poe and others. It was also the very last regularly scheduled fiction program to be broadcast live in the U.S.
Great Ghost Tales only ran for 12 episodes as a Summer Replacement for The Tennessee Ernie Ford Show and was never renewed. Reviews were mixed, but a lot of recognizable faces on their way to stardom showed up in the series, which was hosted by Frank Gallop.
THE EPISODES:
WILLIAM WILSON – Robert Duvall stars as the title character in this adaptation of the Edgar Allan Poe story. Wilson is increasingly disturbed by a lookalike man who follows him everywhere and even goes by the same name. Star Trek‘s Joanne Linville also stars. Continue reading
CHANNING (1963) – Also known as The Young and the Bold this hour-long drama series was a college version of Mr. Novak, against which it went head-to-head. B-Movie titan Jason Evers starred as Professor Joseph Howe, a Korean War veteran now teaching at fictional Channing College. Henry Jones portrayed Fred Baker, his former professor and now Channing Dean. 
ADVENTURES IN RAINBOW COUNTRY (1970-1971) – This forgotten Canadian series starred LOIS MAXWELL herself as Nancy Williams, a widowed single mother raising her teenage son and daughter in a home on Lake Huron in the late 1960s. 
STANDOUT EPISODES: 
CUCUMBER CASTLE (1970) – Eight years before the Bee Gees embarrassed themselves on the big screen with a horrible movie forcing a storyline to the Beatles album Sgt. Pepper’s Lonely Hearts Club Band they embarrassed themselves on the small screen forcing a storyline to their own album Cucumber Castle. 
Cucumber Castle is so awful that not being in it was presumably brother Robin Gibb’s greatest professional triumph. He had recently left the Bee Gees in a huff to try a solo career, and little Andy Gibb was only twelve years old, so Barry and Maurice, who also produced, were left holding the 
PETROCELLI (1974-1976) – Joel Hodgson once observed “You’ve got to light a fire PRET-ee early in the morning to burn Barry Newman.” However, that observation and the 1979 disaster movie that inspired it – City on Fire – have nothing to do with Petrocelli. It’s just the first thing that comes to mind every time Barry Newman’s name comes up. (Well, that and “Chickee chickee boom boom” from that same flick.) 
Viewers would get a Rashomon style account of the episode’s crime from the perspective of both the Defense and the Prosecution. Then, Petrocelli’s investigation would enable him to reconcile the conflicting accounts. 
THE WATCHER (1995) – It seems redundant to refer to a UPN series as forgotten. Or short-lived. Nearly every show that UPN launched in January of 1995 was on and off the air pretty quickly. At 13 episodes, The Watcher was to the new UPN Network what long-lived shows like Gunsmoke were to the established networks. 
The Watcher was an anthology series starring rapper Sir Mix-A-Lot as the title character. The Watcher was a mysterious, quasi-supernatural figure in Las Vegas who had hidden cameras throughout the city, thus allowing him to observe and narrate the grim fates of each episode’s main characters. He hosted from his plush room at the Riviera.
APPOINTMENT WITH ADVENTURE (1955-1956) – This forgotten program from the 1950s presented LIVE performances that were filmed and could be aired as reruns in the future. Appointment with Danger ran for 53 half-hour episodes and featured writers like Rod Serling as well as actors like Paul Newman and Gena Rowlands. If you don’t like black & white, some episodes have been colorized. 
FIVE IN JUDGMENT – Paul Newman and Jack Lord star in this drama about two brothers who take shelter from a storm in a small-town diner filled with other patrons waiting out the dust storm. News reports make the locals suspect that Paul and his brother are a pair of fugitives who just murdered a 16-year-old girl. Patricia Breslin and James Gregory also starred. 
NERO WOLFE (1959) – This was a failed pilot for a potential series about Rex Stout’s iconic detective – the rotund, snobbish but brilliant Nero Wolfe, portrayed by Kurt Kasznar. William Shatner played Archie Goodwin, the affable leg man for his reclusive boss. 
The chemistry between Kasznar and Shatner was remarkable, and at just 26 minutes without commercials, this would have been just the right length for each episode without Wolfe’s egotism and impatience with lesser minds wearing out their welcome with viewers. 
THE GYPSY WARRIORS (1978) – Yesterday I reviewed the godawful 
This 1978 tv-movie starts out by turning “show, don’t tell” on its ear. As bad as the opening of The Chinese Typewriter was, the opening to this World War Two snoozer is even worse. The beginning devotes FOURTEEN entire minutes of the 76-minute runtime to a portentous announcer merely narrating as we see mismatched footage of hands, arms and the backs of heads plus second unit film of buildings, airplanes and vehicles.
THE CHINESE TYPEWRITER (1979) – It’s tough to remember the time before Tom Selleck was a tv megastar. His looks made him stand out and he had “future success” written all over him. He even showed he had a knack for comedy when he made two appearances on The Rockford Files as the annoyingly perfect and cliche-ridden detective Lance White. (“I’m okay, Jim. It’s just a flesh wound.”) 
With those writing and directing pedigrees behind the project you should have been able to smell several seasons, big money and some Emmy Awards in the offing. 
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