Tag Archives: Edwin L Arnold

ANCIENT SCIENCE FICTION: GULLIVAR JONES ON MARS (1905) CONCLUSION

GULLIVAR JONES ON MARS aka Lt. Gullivar Jones – His Vacation and various other titles and spellings, was published in 1905 and is one VERY odd piece of work. The author was Edwin L. Arnold, whose ineptitude made this novel very unfulfilling as he defeated his storyline at every turn. Before I get into this third and final part of my review of Gullivar Jones on Mars the links to the first two parts are below:

PART ONE – I examined the low-profile feud between fans of Edwin L. Arnold, who maintain that many elements of this novel “influenced” (to say the least) Edgar Rice Burroughs’ later stories about John Carter of Mars, and Burroughs fans. The parallels are many, and I laid them out while also pulling in Arnold’s novel Phra the Phoenician. Click HERE

PART TWO – I reviewed the first half of Gullivar Jones on Mars, complete with what revisions I would make to correct the way Edwin L. Arnold never failed to sabotage his own work, letting intriguing concepts die on the vine or letting rising tension peter out into lame anticlimax. It’s almost comical how he did that. Click HERE.

GULLIVAR JONES ON MARS: PART THREE OF THREE

MORNING ON THE ISLE OF BEASTS – We pick up the morning after our hero, U.S. Navy Lieutenant Gullivar Jones, survived the night on the Isle of Beasts – my name for the place, since Edwin couldn’t be bothered to provide names for places or characters much of the time. Continue reading

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REVIEW OF GULLIVAR JONES ON MARS (1905): PART TWO

GULLIVAR JONES ON MARS (1905) – Written by Edwin L Arnold. In Part One of this review I explored this novel’s alternate titles and its cult reputation, plus the controversy which used to rage over whether or not Edgar Rice Burroughs may have read this work and gained inspiration for certain elements of his John Carter of Mars series. I also dealt with the end of that controversy when it became better known that BOTH Arnold and Burroughs may have been inspired by Gustavus Pope’s 1894 novel Journey to Mars.

Here in Part Two is the review proper, including revisions I would have made to Edwin Arnold’s incredibly flawed story. 

Gullivar and woman he with back to usGullivar Jones on Mars starts out in the late 1860s or early 1870s with U.S. Navy Lieutenant Gullivar Jones, a veteran of the Union forces in the Civil War, in New York City on shore leave. He comes into possession of a Turkish rug with unexplained mystical powers. While standing on the unrolled rug he wishes he was on Mars and the flying carpet transports him there. (?)

REVISION: I would keep all of Gullivar Jones’ background info the same, but instead of the Turkish rug I would have him be one of many New Yorkers drawn to a strange spacecraft which lands near the docks. The daring Jones would climb into the remote-controlled vessel, which would trap him inside, sedate him with gas and then fly off back to Mars. Continue reading

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GULLIVAR JONES ON MARS (1905) – ANCIENT SCIENCE FICTION

Gulliver Jones on MarsGULLIVAR JONES ON MARS (1905) – Written by Edwin L Arnold, this novel was originally published under the title Lieut. Gullivar Jones: His Vacation. Years later, with the spelling of the lead character’s first name altered, it was published as Gulliver of Mars. Over the years it was revived under a variety of titles. I’m using the title that I prefer – Gullivar Jones On Mars.   

This will be a simultaneous review and a running tally of the revisions I would have made to the story. This very oddly written novel BEGS to be rewritten because of the long line of self-defeating creative choices that Edwin L Arnold made throughout the tale.

Gullivar Jones black and whiteIf Arnold had written this story decades later it could have been said that he was intentionally subverting the tropes of heroic sword & science epics. Unfortunately, this novel instead seems to be the victim of ineptitude on the author’s part.

Like when you’re watching a bad movie, a reader’s jaw drops at the way Arnold never failed to let a brilliant concept die on the vine, or the way he repeatedly sets up potentially action-packed or highly dramatic story developments only to let them culminate in unsatisfying cul de sacs or peter out into lame anticlimax. There’s almost a perverse genius to the way that the narrative constantly works against itself. Continue reading

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