Christmas Carol-a-Thon 2024 continues here at Balladeer’s Blog with this encore post from 2010.
LEYENDA DE NAVIDAD – This version of the Dickens classic was produced in Spain in 1947 (and was remade for Spanish television in 1966 ) and the Spanish language title is Leyenda de Navidad (Legend of Christmas, of course). The film was written and directed by Manuel Tamayo (who wrote the screenplay for the 1955 feature Tarde de Toros) This is a wonderful version for several reasons, not the least of which would be its well-done (for the time period) sets of 1843 London.
We’ll take the differences and similarities to other versions in order – 1. Scrooge has several people working for him for some reason, not just Bob Cratchit and NONE of them get Christmas Day off from this Scrooge …
2. Marley’s Ghost steps out of a life-sized portrait of the man that adorns the wall above a fireplace, and returns to that portrait after his standard warning about
the 3 Ghosts …
3. Transportation through time with Continue reading
Balladeer’s Blog’s Fifteenth Annual Christmas Carol-a-Thon continues! A few days ago I made an encore post about the Susan Lucci version of the Dickens classic. 
FREDERIC MARCH PRESENTS TALES FROM DICKENS: A CHRISTMAS CAROL (1959) – Basil Rathbone IS Edgar Winter as Ebenezer Scrooge! Or at least that’s what he looks like with his incredibly long white hair in this television show. 
If it’s the Friday after Thanksgiving, then regular readers of Balladeer’s Blog know it’s the day when I kick off my annual Christmas Carol-A-Thon in which I review several versions of A Christmas Carol. I look at movies, television shows, radio shows and books which adapt the Dickens classic. Every year I present new reviews with a few old classics mixed in since newer readers will have missed them.
EBBIE (1995) Balladeer’s Blog’s Fifteenth Annual Christmas Carol-A-Thon begins with an encore review of this 1995 telefilm starring soap opera queen Susan Lucci. The eternally-sexy Lucci plays Elizabeth “Ebbie” Scrooge, our regulation “grasping and covetous” business magnate who runs the Dobson’s department store empire. This version of A Christmas Carol is kind of cute and it tries hard. 
A CHRISTMAS CAROL – A GHOST STORY FOR CHRISTMAS (1995) – Remember Orson Welles’ Mercury Theater? Switch it to another name for that deity and you get Quicksilver Radio Theater. QRT went to great pains to treat listeners to as authentic a simulation of old-time radio dramas as possible. 
BUGS BUNNY’S CHRISTMAS CAROL (1979) – When is an adaptation of A Christmas Carol NOT an adaptation of A Christmas Carol? When it features Warner Brothers cartoon characters. Nearly thirty years later WB would inflict on the world another version of the Carol that was just as soulless and joyless as this 1979 effort. 
A VHS CHRISTMAS CAROL LIVE – I was going to save my review of this 45-minute StarKid musical adaptation of the Dickens classic for Christmas Day itself, but I changed my mind. 
The cast members perform their roles in costumes which make each of them pastiches AND composites of recognizable 1980s pop singers. They don’t stoop to doing impressions of those singers, they stay in character and stay true to the musical vibe of the score. But you can’t help but smile at the 80s pop culture mainstays they put you in mind of. 
A CHRISTMAS CAROL (1973-1987) – Don Imus as Scrooge? Wolfman Jack as the Ghost of Christmas Present? Barbara Walters as Mrs. Cratchit? Murray the K as Bob Cratchit? Yes, believe it or not. 
A SESAME STREET CHRISTMAS CAROL (2006) – This 46 minute special, which presents Oscar the Grouch as the Ebenezer Scrooge substitute, opens and closes with some very Christmassy scenes of artificial snow falling on the Sesame Street set. The apartments on that street are all decorated for the holiday so everything looks very festive. 
A FLINTSTONES CHRISTMAS CAROL (1994) – Balladeer’s Blog’s 14th Annual Christmas Carol-A-Thon continues with a review of this 69-minute version featuring the story tailored to fit the characters from The Flintstones. 
Not only does Fred become unbearably snobbish toward the players with “lesser” roles but he grows impatient and short-tempered with everyone around him. In addition, Fred goes Method Actor on everybody, so thoroughly immersing himself in the role of Scrooge that he becomes a stingy figure in “real life” too. 
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