Balladeer’s Blog’s Fifteenth Annual Christmas Carol-a-Thon speeds toward its conclusion! For today’s installment I’m grateful to my fellow blogger at Crafts Inspire Me for suggesting this in one of her comments here. Her blog is very enjoyable and holidayish!
ULTIMATE CHRISTMAS CAROL MOVIE (2024) – As mentioned above, C.I.M.’s author inquired about my ultimate cast for a film adaptation of A Christmas Carol. If I could pluck actors and actresses from any production of the Carol out of the time stream I would cast the following
NOTE: I’m listing the cast from least prominent up to most prominent.
WAITRESS AT THE INN/ TAVERN: KATH SOUCIE – The waitress who served Scrooge his dinner at the inn/ tavern he stopped at on his way home after parting company with Bob Cratchit on Christmas Eve. She is in the Dickens novel but has no dialogue and is omitted from most versions of A Christmas Carol.
An exception is the 1997 animated version, which used the waitress as a great way to add another female character without going outside the source material. Souci as the waitress even got a song!
GHOSTLY HEARSE DRIVER: ROY EVANS – This phantasmal character from the Dickens novel was rarely featured in screen adaptations of the Carol. Shortly after Scrooge sees Jacob Marley’s face in his door knocker, he gets a brief glimpse of this coachman driving a horsedrawn hearse.
Roy Evans played this ghost in the 1970 Scrooge musical and actually got a line of dialogue! By default that makes him THE choice for this particular role in my opinion. Continue reading
A CHRISTMAS CAROL (1914) – This British production was directed by Harold M. Shaw and runs a bit over 22 minutes. Charles Rock starred as Ebenezer Scrooge and he delivered a very good performance, diminished only by the brief running time. 
This is one of the perennial staples of Christmastime viewing for many people. Readers are often surprised that it took me so long to review this one even though it’s one of my favorites. No special reason, it’s just that so many excellent reviews have already covered this Carol that I wanted to hit the more obscure versions first.
SCROOGE, OR MARLEY’S GHOST (1901) – This big-screen Christmas Carol adaptation was the first-ever cinematic depiction of the Charles Dickens classic. The criminally neglected British silent film pioneer R.W. Paul produced the movie and fellow trailblazer Walter R. Booth directed. 
Back to this 1901 production. Scrooge was originally just over 6 minutes long but like so many movies from the silent era it suffered damage in the decades ahead. About 5 minutes have survived and the film bears a few similarities to the 13-minute Edison Films Christmas Carol from 1910.
the 3 Ghosts … 
Balladeer’s Blog’s Fifteenth Annual Christmas Carol-a-Thon continues! A few days ago I made an encore post about the Susan Lucci version of the Dickens classic. 
FREDERIC MARCH PRESENTS TALES FROM DICKENS: A CHRISTMAS CAROL (1959) – Basil Rathbone IS Edgar Winter as Ebenezer Scrooge! Or at least that’s what he looks like with his incredibly long white hair in this television show. 
If it’s the Friday after Thanksgiving, then regular readers of Balladeer’s Blog know it’s the day when I kick off my annual Christmas Carol-A-Thon in which I review several versions of A Christmas Carol. I look at movies, television shows, radio shows and books which adapt the Dickens classic. Every year I present new reviews with a few old classics mixed in since newer readers will have missed them.
EBBIE (1995) Balladeer’s Blog’s Fifteenth Annual Christmas Carol-A-Thon begins with an encore review of this 1995 telefilm starring soap opera queen Susan Lucci. The eternally-sexy Lucci plays Elizabeth “Ebbie” Scrooge, our regulation “grasping and covetous” business magnate who runs the Dobson’s department store empire. This version of A Christmas Carol is kind of cute and it tries hard. 
A CHRISTMAS CAROL – A GHOST STORY FOR CHRISTMAS (1995) – Remember Orson Welles’ Mercury Theater? Switch it to another name for that deity and you get Quicksilver Radio Theater. QRT went to great pains to treat listeners to as authentic a simulation of old-time radio dramas as possible. 
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