Balladeer’s Blog’s Sixteenth Annual Christmas Carol-A-Thon continues with this 2019 review of an adaptation of the Dickens tale.
A CHRISTMAS CAROL (2019) – Directed and co-written by Steven Salgado, this adaptation of the 1843 novel sets the story in present-day Miami. Though some may try to pigeon-hole this indy film as “a Hispanic-American Christmas Carol” that would not be quite accurate.
Yes, the movie gives us Roberto instead of Bob Cratchit and Scrooge & Hernandez instead of Scrooge & Marley (Marley is Hernandez’s FIRST name) as well as a nearly all-Hispanic cast, but viewers are not hit over the head with it. There is no attempt to drag present-day politics into the story and ethnicity is not used as a gimmick. It is not even commented upon that the characters are all Hispanic-American, a refreshing change in a 2019 film.
This movie looks absolutely gorgeous. There are probably Miami Tourism videos that don’t make the city look this sunny and appealing. I’m not exaggerating. The cinematography in this flick makes everything look good enough to eat.
Kate Katzman portrays Ellen Scrooge, CEO of Scrooge & Hernandez Pharmaceuticals. Marley Hernandez died just one year earlier instead of the usual seven years. The astonishing youth of nearly all the cast members seems to be the reason for this. Ellen looks like she would have still been in High School seven years earlier, not already a partner in Scrooge & Hernandez. Continue reading
If it’s the Friday after Thanksgiving, then regular readers of Balladeer’s Blog know it’s the day when I kick off my annual Christmas Carol-A-Thon in which I review several versions of A Christmas Carol. I look at movies, television shows, radio shows and books which adapt the Dickens classic. Every year I present new reviews with a few old classics mixed in since newer readers will have missed them. 
A CHRISTMAS CAROL (2000) – Christmas Carol-A-Thon 2025 begins with a new review. This ITV production from British television which presented the Scrooge figure as a loan shark coincidentally came out the same year as the Brazilian version which featured Scrooge as a drug dealer. 
Neither one was a comedy, but this UK adaptation adds lighter moments here and there. A Christmas Carol runs just under 75 minutes and was made by a creative team that genuinely understands the Carol. You can tell not just from their insertion of some of the more obscure lines from the Dickens novel but by the way that even their necessary departures from Dickens to stay true to their loan shark gimmick still perfectly reflect the novel’s themes. 
EIN WEIHNACHTSLIED IN PROSA ODER EINE GEISTERGESCHICHTE ZUM CHRISTFEST (1960) – Christmas Carol-A-Thon 2024 comes to a close with this review of a neglected version of A Christmas Carol that aired on German Television in 1960. 
Balladeer’s Blog’s Fifteenth Annual Christmas Carol-a-Thon speeds toward its conclusion! For today’s installment I’m grateful to my fellow blogger at 
WAITRESS AT THE INN/ TAVERN: KATH SOUCIE – The waitress who served Scrooge his dinner at the inn/ tavern he stopped at on his way home after parting company with Bob Cratchit on Christmas Eve. She is in the Dickens novel but has no dialogue and is omitted from most versions of A Christmas Carol. 
GHOSTLY HEARSE DRIVER: ROY EVANS – This phantasmal character from the Dickens novel was rarely featured in screen adaptations of the Carol. Shortly after Scrooge sees Jacob Marley’s face in his door knocker, he gets a brief glimpse of this coachman driving a horsedrawn hearse. 
A CHRISTMAS CAROL (1914) – This British production was directed by Harold M. Shaw and runs a bit over 22 minutes. Charles Rock starred as Ebenezer Scrooge and he delivered a very good performance, diminished only by the brief running time. 
This is one of the perennial staples of Christmastime viewing for many people. Readers are often surprised that it took me so long to review this one even though it’s one of my favorites. No special reason, it’s just that so many excellent reviews have already covered this Carol that I wanted to hit the more obscure versions first.
SCROOGE, OR MARLEY’S GHOST (1901) – This big-screen Christmas Carol adaptation was the first-ever cinematic depiction of the Charles Dickens classic. The criminally neglected British silent film pioneer R.W. Paul produced the movie and fellow trailblazer Walter R. Booth directed. 
Back to this 1901 production. Scrooge was originally just over 6 minutes long but like so many movies from the silent era it suffered damage in the decades ahead. About 5 minutes have survived and the film bears a few similarities to the 13-minute Edison Films Christmas Carol from 1910.
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