Tag Archives: Christmas

AN ITALIAN CHRISTMAS CAROL: NON E MAI TROPPO TARDI (1953)

Christmas Carol-a-Thon 2025 comes to a close with this review of an Italian film adaptation of the Dickens novel. 

NON E MAI TROPPO TARDI aka It’s Never Too Late (1953) – This is one of the few Italian movie adaptations of A Christmas Carol, so that alone makes it worth seeking out for obsessive Carol fans like me.

And speaking of obsessive fans, if you’re part of Marcello Mastroianni’s well-deserved legion of devotees, DON’T be fooled by the way some ads for It’s Never Too Late make it seem like the Italian actor is one of the stars. He has a very small role but after he became a big name in the industry this flick was hyped as a Mastroianni vehicle.

The misdirection went so far as to list Marcello’s name above the actual star Paolo Stoppa in the movie’s re-release title A Wonderful Night (Una Notte Meravigliosa).

It’s Never Too Late was directed by Filippo Walter Ratti, who cowrote the screenplay alongside Piero Regnoli. The aforementioned Paolo Stoppa starred as Antonio Trabbi, the movie’s Scrooge stand-in. Trabbi almost redefines “usury” as he ruthlessly exploits the people who come to him for loans, often after huge gambling losses. Continue reading

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THE SMURFS: A CHRISTMAS CAROL (2011)

Balladeer’s Blog’s Smurfteenth Annual Christmas Carol-a-Smurf is rapidly approaching its finale. But it ain’t over ’til the Smurf Lady sings, so we still have today and tomorrow to squeeze in a few more adaptations of Dickens Smurf’s classic from 1843 A.S. (Anno Smurfini). 

THE SMURFS: A CHRISTMAS CAROL (2011) – I generally dread Smurfs productions, which is why I put off watching this Carol for so long. Happily this was a pleasant surprise, and I really enjoyed it.

This item runs just 22 minutes, which to me is the perfect running time for any story featuring the Smurfs. Their feature films run far too long in my opinion, but The Smurfs: A Christmas Carol comes and goes before a viewer can grow irritated with it.   

On top of that, it feels much more Christmassy than projects like Disney’s half-hour, soulless Mickey’s Christmas Carol from the 1980s. If you have children, this animated short is a quick and tidy way to spend some time sharing a viewing experience with them.  Continue reading

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A CHRISTMAS CAROL (2015)

Balladeer’s Blog’s Sixteenth Annual Christmas Carol-a-Thon continues with this review!

Colin Baker Christmas CarolA CHRISTMAS CAROL (2015) – This 59-minute rendition of the Dickens Yuletide classic is often referred to as “the Colin Baker version.” Too bad Baker can’t sue somebody over that, since he had nothing to do with this laughable production beyond portraying Charles Dickens and narrating the story.

CHARLES WHO? – Colin “Doctor Who” Baker plays a Charles Dickens serving as the story’s narrator … and misquoting much of his own work since this is one of those versions where the filmmakers feel they can “improve” on what Dickens wrote.

It’s one thing to try to colloquialize the Victorian prose which some viewers find challenging but it’s something else again to insert bland nothings in place of the original dialogue. Dickens’ exchanges often flow smoothly, with one character’s line perfectly setting up another character’s response. Here we have conversations as boring and unmemorable as those in real life. (That’s not a compliment.)  

Baker is introduced in a clever (I’m being charitable) bit of business in which his image is as fuzzy as an old silent movie and he sounds tinny, like in Thomas Edison’s oldest recordings. I guess it’s done to capture an “old-timey” feel but the novel came in 1843, long before even such primitive recording equipment was available.

masc chair and bottleSoon the image improves to conventional standards (well, sort of) and the sound improves to 1950s television levels. Unfortunately, this is a 2015 production, not a 1950s presentation, and the weak, amateurish sound work will plague this Carol the rest of the way.

Colin Baker is the best part of this production and his effortless charm and captivating delivery make it clear how badly the other players lack the acting ability and the strong voices needed to be effective in their roles.

ANTHONY D.P. MANN – Mann IS Tim Conway’s Mr Tudbole as Ebenezer Scrooge! Well, without the moustache. Mann has a history of placing himself in the starring roles of his productions and never fails to put me in mind of Conway. Continue reading

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RICH LITTLE’S CHRISTMAS CAROL (1979)

Christmas Carol-a-Thon 2025 continues here at Balladeer’s Blog with this comedic version from 1979.

Rich Little's Christmas CarolRICH LITTLE’S CHRISTMAS CAROL (1979) – Balladeer’s Blog’s SIXTEENTH annual Christmas Carol-A-Thon continues! If you’re into celebrity trivia from the 1970s and earlier Rich Little’s Christmas Carol will have you laughing from start to finish over all the sly jokes and riffs that abound in this Canadian- made special. For those unfamiliar with Little, in the 60s, 70s and 80s he was a first- class celebrity impressionist.

The Canadian comic’s first venture into using the voices and personae of iconic celebrities as characters in the Charles Dickens classic began in the 1960s. Part of Rich’s stand-up act was a several minute sendup of A Christmas Carol with John Wayne, Jack Benny and other figures playing roles in the famous story. In 1963 he released it as a comedy album titled Scrooge and the Stars, reviewed previously here.

In 1979 Little expanded the story into an hour-long television special in which, through the aid of trick photography, costumes and makeup, he impersonated all of the entertainment legends that he worked into the Yuletide epic. Here is a rundown of the celebrities that Rich Little appeared as in this enjoyable Christmas special:

For the central role of Ebenezer Scrooge Little impersonated W.C. Fields, the whiskey- soaked and curmudgeonly comedian whose misanthropic humor made his persona perfect for the role. Little impersonated Hollywood Squares mainstay Paul “The JM J Bullock of his time” Lynde in the role of Bob Cratchit and long-time Tonight Show host Johnny Carson as the cheerful and charming Nephew Fred. Rich did a turn as Laurel and Hardy as the Charity Solicitors to round out the “cast” for the opening scene at Scrooge and Marley’s. Continue reading

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A CHRISTMAS CAROL: A GHOST STORY (2022)

Balladeer’s Blog’s Sixteenth Annual Christmas Carol-a-Thon continues with this review of a VERY underappreciated adaptation of the Dickens classic.

A CHRISTMAS CAROL: A GHOST STORY (2022) – Let me state right at the beginning that this version of the Carol has jumped into my Top 10 favorites, yet astonishingly as of this writing there are NO user or critic reviews of the production at IMDb.

This presentation joins the many filmed stage performances of A Christmas Carol but towers over most of them. The iconic Mark Gatiss wrote the adaptation and Adam Penford directed.

To encourage as many people as possible to watch this Carol I will emphasis just once, here at the beginning, that this production truly has nearly universal appeal. I repeat, below will be the only time I cover this aspect of the work in my review, but it’s necessary here in 2025. Continue reading

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SKINFLINT (1979) A COUNTRY-WESTERN CHRISTMAS CAROL

Flint (Hoyt Axton) and his lost love (Barbara Mandrell)

Flint (Hoyt Axton) and his lost love (Barbara Mandrell)

Time for another post in my annual orgy of entries on various versions of A Christmas Carol known as my Christmas Carol-a-Thon. 

SKINFLINT (1979) – Skinflint is known to me and my fellow Carol-Geeks as “the country- western version”. This made-for- tv musical is so chock- full of stars that the Country Music Hall of Fame actually offers screenings of this film every year between Thanksgiving and Christmas. I’m serious.

My late mother was, unfortunately for me when I was a teenager, a country music fan so, strange as it may seem, I actually know who the singers in this flick are. This version of the Carol is set in fictional Flint City, Tennessee, a town  dominated by the financial pull of banker Cyrus Flint, played by Hoyt Axton.

Naturally Cyrus Flint is the Scrooge stand- in and Axton is supported by plenty of other figures cast for their singing ability, not their thespian skill. Stuttering Mel Tillis plays Dennis Pritchett, the Bob Cratchit character, Lynn Anderson plays his wife and Larry Gatlin (of the Gatlin Brothers and yes, it’s hellish actually knowing things like that) portrays Flint’s nephew, called Roger instead of Fred. Continue reading

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A REDNECK CHRISTMAS CAROL (1997)

Balladeer’s Blog’s Sixteenth Annual Christmas Carol-a-Thon continues with this new review.

A REDNECK CHRISTMAS CAROL (1997) – Written by John Yow & T. Stacy Helton and illustrated by David Boyd this is a reasonably funny adaptation of A Christmas Carol. Think of the type of jokes that Jeff Foxworthy was telling back when this book came out and you’ll know what to expect.

And speaking of Jeff Foxworthy, the illustrations for his You Might be a Redneck If … series of books had artwork from the same David Boyd who worked on this item. The redneck jokes in A Redneck Christmas Carol are not vicious and are told with a certain charm. 

EUBIE SCROOD, the main character of this adaptation, owns and operates Eubie’s Bait and Tackle Shop near Lake Water Moccasin. Everyone in Sand Mountain, AL considers Scrood to be cheap and mean-spirited.

Scrood’s partner Jake Marley had died a few years earlier but one and all continued to patronize the bait and tackle shop because of its incredible inventory of goods over and above just bait, lures, lines and poles. The book tells us “you could get snuff, nickel hard-boiled eggs, beer, a muffler for a Ford pick-up (years ’82 to ’89), loaf bread and motor oil all in one quick stop.” Continue reading

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IT’S CHRISTMAS, CAROL! (2012)

Balladeer’s Blog’s Sixteenth Annual Christmas Carol-a-Thon continues with a review of this Hallmark Channel adaptation of the Dickens story. 

IT’S CHRISTMAS, CAROL! (2012) – Well, to borrow from another holiday, I hold these truths to be self-evident –

*** Hallmark productions in the 21st Century are mostly bland and harmless. Never too good or too bad.

*** Adaptations of A Christmas Carol that set the story in whatever their “present day” is have been going on for so long now that the state of technology and the cultural attitudes depicted provide plenty of fodder for contemplation quite independent from the core story.

*** Not providing separate, distinct natures for the Ghosts of Christmas Past, Present and Yet to Come is like coming up to bat with one or two strikes already against you. 

All that said, I won’t be able to use my usual format for my reviews of A Christmas Carol since Marley and the Christmas Ghosts are all played by one person. And it’s not a case of a comedian or a chameleon-like thespian so skilled at crafting characters that it’s a showcase for their talents. (Picture Robin Williams doing different personae for the Ghosts, for instance.)

We’re talking one lone character appearing as all four spirits with no changes to them. Fans of the more urbane and wry Carrie Fisher – as opposed to fans who only liked her as a space princess – will love It’s Christmas, Carol! Continue reading

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A CHRISTIAN CAROL (2016) CHRISTMAS CAROL-A-THON 2025 CONTINUES

A Christian CarolA CHRISTIAN CAROL (2016) – Balladeer’s Blog’s 16th Annual Christmas Carol-A-Thon continues with this look at a religious-themed variation of A Christmas Carol. Directed by Stan Severance and written by Wesley T Highlander, A Christian Carol follows in the footsteps of the 1983 production The Gospel According to Scrooge.

***

That 1983 project has been reviewed previously by Balladeer’s Blog and I will say again that it is so well done that it can appeal to true-believers AND others. By comparison, this 2016 production is pretty weak and may barely even appeal to active, devout Christians. Acting, writing, special effects and singing are strictly low-level with only a few bright spots along the way.

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Let’s take A Christian Carol beat by beat:

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mascot sword and gun pic

BALLADEER’S BLOG

SCROOGE: The stand-in for Ebenezer Scrooge in this modern adaptation of A Christmas Carol is a woman known to us only as Carol. She’s the usual “tight-fisted hand at the grindstone” and runs a company called Rev13. GET IT? The British narrator – who sounds a bit like Robin Leach at times – tells us Carol was as dead inside as a doornail in a cute little twist on the Carol‘s opening line. Our title character has lost her Christian faith and cares only about money now.

*** 

Carol is portrayed by Brenda Roesel but comes across more like a potential mass shooter than a Scrooge-like figure. Her pathological hatred of any and every display of Christmas spirit by her employees was so heavily on the unhinged side that I actually paused to check if she was the same woman who played the end-of-her-rope madwoman in the mock Claridryl ad from years ago. (She’s not, but could have been, she’s THAT creepy.)   Continue reading

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A CHRISTMAS CAROL (ITV 2000): CHRISTMAS CAROL-A-THON 2025 BEGINS

If it’s the Friday after Thanksgiving, then regular readers of Balladeer’s Blog know it’s the day when I kick off my annual Christmas Carol-A-Thon in which I review several versions of A Christmas Carol. I look at movies, television shows, radio shows and books which adapt the Dickens classic. Every year I present new reviews with a few old classics mixed in since newer readers will have missed them.

A CHRISTMAS CAROL (2000) – Christmas Carol-A-Thon 2025 begins with a new review. This ITV production from British television which presented the Scrooge figure as a loan shark coincidentally came out the same year as the Brazilian version which featured Scrooge as a drug dealer.

Neither one was a comedy, but this UK adaptation adds lighter moments here and there. A Christmas Carol runs just under 75 minutes and was made by a creative team that genuinely understands the Carol. You can tell not just from their insertion of some of the more obscure lines from the Dickens novel but by the way that even their necessary departures from Dickens to stay true to their loan shark gimmick still perfectly reflect the novel’s themes.

That is especially true of the way they almost seamlessly incorporate “repeating day” elements like in Groundhog Day and Happy Death Day

To start this review, let’s look at how the production handles the major characters: Continue reading

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