A CHRISTIAN CAROL (2016) – Balladeer’s Blog’s 16th Annual Christmas Carol-A-Thon continues with this look at a religious-themed variation of A Christmas Carol. Directed by Stan Severance and written by Wesley T Highlander, A Christian Carol follows in the footsteps of the 1983 production The Gospel According to Scrooge.
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That 1983 project has been reviewed previously by Balladeer’s Blog and I will say again that it is so well done that it can appeal to true-believers AND others. By comparison, this 2016 production is pretty weak and may barely even appeal to active, devout Christians. Acting, writing, special effects and singing are strictly low-level with only a few bright spots along the way.
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Let’s take A Christian Carol beat by beat:
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SCROOGE: The stand-in for Ebenezer Scrooge in this modern adaptation of A Christmas Carol is a woman known to us only as Carol. She’s the usual “tight-fisted hand at the grindstone” and runs a company called Rev13. GET IT? The British narrator – who sounds a bit like Robin Leach at times – tells us Carol was as dead inside as a doornail in a cute little twist on the Carol‘s opening line. Our title character has lost her Christian faith and cares only about money now.
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Carol is portrayed by Brenda Roesel but comes across more like a potential mass shooter than a Scrooge-like figure. Her pathological hatred of any and every display of Christmas spirit by her employees was so heavily on the unhinged side that I actually paused to check if she was the same woman who played the end-of-her-rope madwoman in the mock Claridryl ad from years ago. (She’s not, but could have been, she’s THAT creepy.) Continue reading
A CHRISTMAS CAROL (2019) – Directed and co-written by Steven Salgado, this adaptation of the 1843 novel sets the story in present-day Miami. Though some may try to pigeon-hole this indy film as “a Hispanic-American Christmas Carol” that would not be quite accurate. 
EIN WEIHNACHTSLIED IN PROSA ODER EINE GEISTERGESCHICHTE ZUM CHRISTFEST (1960) – Christmas Carol-A-Thon 2024 comes to a close with this review of a neglected version of A Christmas Carol that aired on German Television in 1960. 
Balladeer’s Blog’s Fifteenth Annual Christmas Carol-a-Thon speeds toward its conclusion! For today’s installment I’m grateful to my fellow blogger at 
WAITRESS AT THE INN/ TAVERN: KATH SOUCIE – The waitress who served Scrooge his dinner at the inn/ tavern he stopped at on his way home after parting company with Bob Cratchit on Christmas Eve. She is in the Dickens novel but has no dialogue and is omitted from most versions of A Christmas Carol. 
GHOSTLY HEARSE DRIVER: ROY EVANS – This phantasmal character from the Dickens novel was rarely featured in screen adaptations of the Carol. Shortly after Scrooge sees Jacob Marley’s face in his door knocker, he gets a brief glimpse of this coachman driving a horsedrawn hearse. 
A CHRISTMAS CAROL (1914) – This British production was directed by Harold M. Shaw and runs a bit over 22 minutes. Charles Rock starred as Ebenezer Scrooge and he delivered a very good performance, diminished only by the brief running time. 
This is one of the perennial staples of Christmastime viewing for many people. Readers are often surprised that it took me so long to review this one even though it’s one of my favorites. No special reason, it’s just that so many excellent reviews have already covered this Carol that I wanted to hit the more obscure versions first.
SCROOGE, OR MARLEY’S GHOST (1901) – This big-screen Christmas Carol adaptation was the first-ever cinematic depiction of the Charles Dickens classic. The criminally neglected British silent film pioneer R.W. Paul produced the movie and fellow trailblazer Walter R. Booth directed. 
Back to this 1901 production. Scrooge was originally just over 6 minutes long but like so many movies from the silent era it suffered damage in the decades ahead. About 5 minutes have survived and the film bears a few similarities to the 13-minute Edison Films Christmas Carol from 1910.
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