Well, it’s Frontierado Eve! We’ve all got our painted rocks on various bits of furniture around the house, we’ve all got our potted cacti with the toy gun-belts slung over them and for those old enough to drink there are Cactus Jacks and Deuces Wilds to be slammed down. In some homes families and friends will be gathering around to watch the official Frontierado Western, Silverado, later tonight. Others prefer to watch that movie on the day or night of Frontierado itself.
In the buildup to this major holiday I periodically reviewed my favorite weird westerns so to give us all a few more chuckles here’s one more.
JESSE JAMES’ KID (1966)
In my review of The Price of Power earlier this Frontierado season I mentioned how fond I am of those Spaghetti Westerns that distort the facts of the American west more outrageously than even our own home- grown westerns do. Jesse James’ Kid makes The Price of Power look like the writings of Herodotus.
In this deranged western which used to populate the 3am to 5am movie slot on television stations across the country we get the old-school bad movie fun of dubbing that never comes close to matching the movements of the performers’ lips. And that’s just the start. This film tells us that Billy the Kid was Jesse James’ son … yes, Jesse James’ son. And not only that but Continue reading
We all know that in real life the celebrated “heroes” of the old west were a pack of corrupt and/or outrightly criminal thugs who would have had a pretty redneckish worldview. And let’s face it, by our standards their personal hygiene habits would have been pretty disgusting. But since the Frontierado holiday is all about celebrating the myth of the West and not the grinding reality of it here’s my list of the Top Four Westerns Based On Real-Life Figures. Coming up with lists like this is one of the perks of being the international commissioner of Frontierado (along with the seven-figure income and a staff of three hundred people). 
1. BUTCH CASSIDY AND THE SUNDANCE KID (1969) – Redford and Newman set the standard for the “buddy western” with this magnificent movie. Newman once described this flick by saying 
