Balladeer’s Blog’s Sixteenth Annual Christmas Carol-a-Thon continues with a review of this Hallmark Channel adaptation of the Dickens story.
IT’S CHRISTMAS, CAROL! (2012) – Well, to borrow from another holiday, I hold these truths to be self-evident –
*** Hallmark productions in the 21st Century are mostly bland and harmless. Never too good or too bad.
*** Adaptations of A Christmas Carol that set the story in whatever their “present day” is have been going on for so long now that the state of technology and the cultural attitudes depicted provide plenty of fodder for contemplation quite independent from the core story.
*** Not providing separate, distinct natures for the Ghosts of Christmas Past, Present and Yet to Come is like coming up to bat with one or two strikes already against you.
All that said, I won’t be able to use my usual format for my reviews of A Christmas Carol since Marley and the Christmas Ghosts are all played by one person. And it’s not a case of a comedian or a chameleon-like thespian so skilled at crafting characters that it’s a showcase for their talents. (Picture Robin Williams doing different personae for the Ghosts, for instance.)
We’re talking one lone character appearing as all four spirits with no changes to them. Fans of the more urbane and wry Carrie Fisher – as opposed to fans who only liked her as a space princess – will love It’s Christmas, Carol! Continue reading
A CHRISTIAN CAROL (2016) – Balladeer’s Blog’s 16th Annual Christmas Carol-A-Thon continues with this look at a religious-themed variation of A Christmas Carol. Directed by Stan Severance and written by Wesley T Highlander, A Christian Carol follows in the footsteps of the 1983 production The Gospel According to Scrooge.
A CHRISTMAS CAROL (2019) – Directed and co-written by Steven Salgado, this adaptation of the 1843 novel sets the story in present-day Miami. Though some may try to pigeon-hole this indy film as “a Hispanic-American Christmas Carol” that would not be quite accurate. 
A CHRISTMAS CAROL (2000) – Christmas Carol-A-Thon 2025 begins with a new review. This ITV production from British television which presented the Scrooge figure as a loan shark coincidentally came out the same year as the Brazilian version which featured Scrooge as a drug dealer. 
Neither one was a comedy, but this UK adaptation adds lighter moments here and there. A Christmas Carol runs just under 75 minutes and was made by a creative team that genuinely understands the Carol. You can tell not just from their insertion of some of the more obscure lines from the Dickens novel but by the way that even their necessary departures from Dickens to stay true to their loan shark gimmick still perfectly reflect the novel’s themes. 
EIN WEIHNACHTSLIED IN PROSA ODER EINE GEISTERGESCHICHTE ZUM CHRISTFEST (1960) – Christmas Carol-A-Thon 2024 comes to a close with this review of a neglected version of A Christmas Carol that aired on German Television in 1960. 
Balladeer’s Blog’s Fifteenth Annual Christmas Carol-a-Thon speeds toward its conclusion! For today’s installment I’m grateful to my fellow blogger at 
WAITRESS AT THE INN/ TAVERN: KATH SOUCIE – The waitress who served Scrooge his dinner at the inn/ tavern he stopped at on his way home after parting company with Bob Cratchit on Christmas Eve. She is in the Dickens novel but has no dialogue and is omitted from most versions of A Christmas Carol. 
GHOSTLY HEARSE DRIVER: ROY EVANS – This phantasmal character from the Dickens novel was rarely featured in screen adaptations of the Carol. Shortly after Scrooge sees Jacob Marley’s face in his door knocker, he gets a brief glimpse of this coachman driving a horsedrawn hearse. 
A CHRISTMAS CAROL (1914) – This British production was directed by Harold M. Shaw and runs a bit over 22 minutes. Charles Rock starred as Ebenezer Scrooge and he delivered a very good performance, diminished only by the brief running time. 
This is one of the perennial staples of Christmastime viewing for many people. Readers are often surprised that it took me so long to review this one even though it’s one of my favorites. No special reason, it’s just that so many excellent reviews have already covered this Carol that I wanted to hit the more obscure versions first.
SCROOGE, OR MARLEY’S GHOST (1901) – This big-screen Christmas Carol adaptation was the first-ever cinematic depiction of the Charles Dickens classic. The criminally neglected British silent film pioneer R.W. Paul produced the movie and fellow trailblazer Walter R. Booth directed. 
Back to this 1901 production. Scrooge was originally just over 6 minutes long but like so many movies from the silent era it suffered damage in the decades ahead. About 5 minutes have survived and the film bears a few similarities to the 13-minute Edison Films Christmas Carol from 1910.
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